Tim’s last farewell

Hola everyone.


How are we all doing on this beautiful Friday? I hope you are all well. Sorry for not posting anything on Monday. As I had mentioned in my last post, I just moved back home from Brighton and got here on Sunday night, which means the past few days have been filled with unpacking all my stuff, washing clothes and getting used to the literal hell that is the outside until at least 7 pm. Okay, no, I don’t want to be one of those cringy people who complain about the weather all the time. I actually really love that it’s 8 pm right now and that I’m typing this while sitting outside, still wearing shorts. It’s this warm. Lovely.

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But that’s not what I wanted to talk about. Yes, I know, the weather is a highly fascinating topic, but no. Today, I thought, I’d finally write my already announced post about Tim’s/Avicii’s new, posthumous album “TIM” that just got released. Some of you might remember that last time, I briefly mentioned the release and that I had gotten the chance to go to the album release event in London. Which is exactly what I want to fully explain today. And, of course, I want to dig deeper into the whole album and tell you my thoughts. So, buckle up for a hell of an emotional EDM ride.

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As most of you will probably know, I’ve always been a big fan of Tim. He was the one who got me into EDM and I, for sure, wouldn’t be the person I am today without him. Which is also why his sudden death last year hit me this hard. It was the first death of a celebrity that really broke my heart. Even more so after watching his documentary “Avicii: True Stories” and seeing how the industry and his idiot of a manager broke him into pieces. In 2016, Tim announced his official retirement. This, on the one hand, made me sad, because I knew that I would miss seeing him live. But on the other hand, I also liked how he had decided to choose himself and his health. Not the business. Not the money. He just wanted to get better. And I really thought he had. But unfortunately, it wasn’t enough. And now after listening to his new album, I can’t help but ask myself if we maybe ignored Tim’s own SOS.

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Here the music, which suggests a pure love for life, there the musician, who himself was anything but happy with his own. But that isn’t the only reason why the release of “TIM” is inevitably bittersweet. On the one side, us fans all over the world now get the chance to celebrate twelve new hits, but on the other side, the fact that the artist behind these songs cannot celebrate them with us fills the music with a deep melancholy and breaks my heart a little. A certain, profound mix of emotions I also felt while attending the album event in London one week before the official release. In different cities all around the globe, Tim’s team had put up cubes that fans could walk into and experience his new songs for the very first time. But besides getting the chance to listen to a few seconds of the album, the whole event meant so much more. Because in order to get to listen to the snippets, you had to put your hand on the touchscreen placed inside the cube. The screen then connected itself to another cube in another city where somebody else’s hand had also been placed on it. As soon as the connection had been made, you could actually see the other hand next to yours on the screen and after that, the song started to play.

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I know, you could now say that it was all fake and that they just showed some silhouette of a hand, but it wasn’t. I got connected to someone in Stockholm, presumably a girl, as the hand featured a ring. And I know it might sound strange, but in that very moment, I felt such a deep connection to that person. Two human beings, two strangers, doing the very same thing and getting to hear the very same song at the very same second. It was just so special. And it definitely accomplished its goal, as I did not only get to connect to someone who wasn’t even in the room but also to the other fans who visited the cube. I might not have known Tim personally, but I can definitely say that he would have loved this.

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Personally, I would say that the album itself couldn’t be more special and emotional and straight up important. Tim himself was always fond of being one of those songwriters who like to mix heaviness with ease. A concept that runs like a thread through all his musical works – as well as his latest pieces. Because, once you look and listen beyond the fantastic beats and euphoric rhythms of the new songs, you suddenly get to hear lyrics like “Can you hear me? SOS. Help me put my mind to rest.” and “And I think I just died. I think I just died.”. And that is why the release is so bittersweet. The lyrics depict the state Tim was in while writing and producing the new tracks before his death in April last year. They tell the story of someone who was lost but still holding onto the last fragments of strength and hope. But it still wasn’t enough. No wonder I had to fight back tears while listening to the album on the tube in London. Crazy how songs can say so little but mean so much.

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In addition to these unfinished songs, Tim also left countless demo clips, notes, texts and emails behind in which he described exactly how his new album should sound. Enough material that his songwriting colleagues Kristoffer Fogelmark, Albin Nedler, Vincent Pontare and Salem Al Fakir (Vargas & Lagola) decided to complete the tracks without him, but as close as possible to his visions. The result can be seen as the late testimony of a troubled but inspired musician. Or simply as a palette of excellent electronic beats that never fail to put a smile on the face of any music lover. I, for my part, have deeply fallen in love with the following three tracks, for various reasons. They all feature amazing beats, fantastic lyrics and make me want to listen to them again and again. But most importantly, I adore the stories they tell.

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Although it may just be a small ray of hope in the midst of a tragedy, Tim’s family has recently launched the “Tim Bergling Foundation” to raise awareness for mental illness and suicide prevention in the music industry, which I think is an amazing cause and a fantastic idea. The net proceeds of Tim’s new album also go to the foundation, which I think he would’ve loved as well.

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Unfortunately, “TIM” doesn’t give us any answers as to what might have happened to him during the last years of his life. But there is something else in the album – a musical heritage that will shape not only the soundtrack of today’s but also that of future generations. Tim may not be with us anymore, but his music will live on forever. And I know that the world will always remember him as one of the greatest artists. I definitely will.

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But what do you think about the album? Do you agree with my thoughts? Please don’t hesitate to leave your thoughts and comments down below, guys. And, as always, I hope you enjoyed this post and wish you all a lovely weekend. And, of course, thanks for reading. x

‘The definition of ambition’

Hola everyone.


How are we doing today? I hope so far you’ve all had a great week and that your Friday is going great. Today, guys, I have the honour to share something very very very special with you. Some of you might remember that this February, I finally got see one of my favourite bands live – the one and only Hippo Campus (here’s my post about the show – click me). But that wasn’t the most exciting part, oh no. Easily the best part was that, before the show, I also got to interview them. And yes, I know. How crazy is that? I honestly still can’t believe that this really happened. When I think back to it, it feels like I had some kind of weird fever dream and that it was never real. But it was. I really met and talked to them. And they really were the nicest, coolest and most chill people I’ve ever met. I can’t even begin to describe how eternally grateful I am that I really got to do this. What a dream come true.

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And, so, now that you know this, you also know what this post is all about. Exactly, the interview. But before you get all excited, no, I don’t mean I’m going to spill the beans of the whole experience. Oh no. Even better. Today, I finally get to share the finished piece I wrote about the interview with you. And trust me, I waited quite a while to be able to say this. But I’m so so so glad the day is finally here. So, without further ado, here’s my feature about one of the best bands ever – Hippo Campus.


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THE DEFINITION OF AMBITION

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There comes a point in every band’s existence when the youthful enthusiasm of the early days has to give way to a more sophisticated version of themselves. Formed in 2013, the Minnesota band Hippo Campus was born from a group of high-school friends who were just looking to have a good time. But after releasing their first album, years of touring and gaining popularity, especially in the ranks of indie fans, they suddenly found themselves in a less inspirational atmosphere. They needed a change.

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This special desire to shake things up has always been present in the five piece’s music, and their second album ‘Bambi’ is a liberal, maybe darker, more experimental realisation of exactly that. While their debut release ‘Landmark’ was full of bubbly excitement and youthful lightness, they felt driven to change direction and go that little bit deeper. They wanted an honest reflection of themselves. “I think it was mostly reflective of the times. We were all in this weird kind of state. The stress of creating a second album, there’s a lot of pressure on that. And we didn’t want to have that pressure. It’s darker just because of where we were at that time,”, says Whistler Allen, drummer of the indie group.

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“Part of that was that we felt chewed up a little bit. You get out of high school and after the first couple of years of touring and after the first album, you experience something that isn’t what you thought it was,” adds Nathan Stocker, lead guitarist of the band and co-writer of most of the Hippo tracks. “People suck sometimes and there’s hurt. The process of maintaining the relationships that actually matter to you and to what you’re doing as a musician, artist or whatever you want to call it, gets really tiring.”

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Thus, calling this new era of Hippo Campus “real” would be a strong understatement. As they turned the page to pave the way for ‘Bambi’, the band found freedom in being an open book lyrically, but also personally. “It’s a very vulnerable place to be a songwriter, because it’s like ‘okay, I’m going go outside and use a megaphone to let everybody know what I think and what is going on in my life and feel free to look over my shoulder and hate me or love me’. You’ve got open arms to the world and the audience you have and that’s so scary. Because they can chew you up and spit you out,” Stocker explains and pinpoints the one aspect, the sheer honesty, that gave their newest release a certain feel of relatability. “Really, there’s no reward in it other than making it for the sake of being in that place at all. There’s really no other tangible reward. Even if it resonates with people, it still sucked for me to write.”

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It seems that the American band never shies away from acknowledging the fears and emotions of the current generation, actively addressing issues like the #MeToo movement, mental health or toxic masculinity, and using their album to process and accept them at the same time. Whether it be overwhelming worry (‘Anxious’), inescapable self-doubt (‘Mistakes’) or failing relationships (‘Why Even Try’), ‘Bambi’ covers nearly every area when it comes to the highly personal issues the band members had to face. The album fluctuates between blissful calm to vigorous chaos, while the lyrical discomfort fits in with the awkward, socially uncertain times that they were dealing with.

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And although it’s a reckless existence, the Minnesota five-piece wouldn’t have it any other way – gig by thrilling gig – their path so far has surpassed even their greatest expectations.  Now, it’s even the small issues and tiny stones that stop them in their ways they get excited about. “That’s part of why we love it so much, actually. If you don’t get irritated by little things, then you won’t know that you’re having a ton of fun with your friends every day,” exclaims DeCarlo Jackson, trumpet player and newest addition to the band. Stocker adds, “I’m excited to be irritated by stuff that actually matters. That’s the definition of ambition. It’s tackling problems that actually further us.”

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This is where their newest LP comes into play, as where ‘Landmark’ only touched the surface, ‘Bambi’ dives in head first. It’s the new side of music and writing that the band hopes can shine a light on the gap between reality and society’s expectations of constant perfection. Especially at current times, social media and the pressure that comes with it push down on a lot of bands. A pressure Hippo Campus isn’t willing to accept. “Naturally, if you’re not being the most honest version of yourself, there’s nothing else you could be except somebody else. Because if you’re not being you, then you’re definitely trying to marble yourself after someone else. But you know, sometimes we dress up,” Allen insists.

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It’s this way of wearing their hearts on their sleeves and being their truest forms that seems to capture their fans. Together, they share this powerful connection that has been there from the start and only gotten stronger through their newest release. “The fans are everything,” Stocker agrees. “They just continue to be unbelievable people, who, for whatever reason, love our music. It’s always really bizarre to interact with them. Because it’s like ‘what have I done to deserves this?’. It’s just really good to feel the love and support and to see they’re real people who are experiencing real things and sharing a space with us. I know it could be a lot more segregated in terms of feeling like we have some superior upper hand to them, but it is pretty communal, on and off stage.”

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From the start, always returning to this certain kind of passion and unapologetic honesty, Hippo Campus have looked to create a release that is both enchantingly light and devastatingly dark when it needs to be. While it focuses strongly on issues that clearly mean a lot to the band, the general tone of their newest record is one of optimism, looking for the brief moments of joy in a world with little to spare. And at the end, it’s the sheer love for music that brings them all together and provides the album with its special glow. Stocker concludes: “Music is the most interesting and spiritual example of memory that humans can have, to me. There’s nothing else really that is as fascinatingly metaphysical than the feeling when you listen to a really good song for the first time. For me as a person, there’s no other thing that exists other than memory. In the end, that’s all we have. Our entire progress is based on it, it’s the foundation of life. The fact that we can remember, the fact that I can play my instrument, is entirely based on memory. And music is the prime exemplification and personification of memory. And fin.”

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So, there you go, guys. I dearly hope that you enjoyed reading this piece. Also, please do go and check out this band, they really deserve all the attention they are receiving right now and so much more. Here are all their social media handles: Spotify, YouTube and their official website.

As always, please don’t hesitate to leave your comments and thoughts down below and do please get in contact if you’ve got any questions. And until then, I wish you all an amazing weekend and, of course, thanks for reading. x

The night of songs and roses

Hola everyone.


And welcome back to another week. Happy Monday – and also Happy Easter, actually. I hope you all had a lovely weekend. I spent most of it down at the beach here in Brighton as the weather has been so incredibly nice the past few days. I’m not doing to lie, I felt like I was on a holiday, lying there, in the sun, my lunch propped next to me. It’s crazy when you realize that you actually live in such a place. I feel incredibly grateful. Especially when I went for a walk in the evening, walking barefoot, feeling the sea water between my toes and the sun setting in front of me. Talk about feeling like you’re stuck in some movie scene. So, yeah, that was my weekend.

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But let’s talk about today. Today I’d like to share a very very special evening of my life with all of you. One that I honestly never thought would happen and one that I will definitely never ever forget. The evening I met Tom Rosenthal and saw him live for the very first time. Still sounds absolutely crazy when I say it out loud, to be honest.

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It all began last year when Tom suddenly announced the show in London. His very first show ever, like ever ever, to be exact. I couldn’t believe my eyes. But that happens when you listen to a guy who has two young daughters and an info on his official website saying that he’s not planning on going on tour because of them. So out of all the artists and bands I listen to, I wanted to see Tom live the most and was expecting to actually ever get to see him live the least. But there it suddenly was, the date of his first ever show, perfectly scheduled for me as I knew I’d be in Brighton/London around that time. And I mean, I don’t have to make a big story out of it, of course, I bought a ticket the second they were available. And of course, it was sold out within an hour. And of course, Tom had to add another two shows. And guess who’s in the middle of a full-on tour right now? Still can’t believe it, honestly.

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For those of you who don’t know who Tom is, here’s why I love him so much in a nutshell: I adore his music with all my heart, listen to it 24/7, he has basically helped me through my whole Bachelor degree and has been my most listened artists for two consecutive years and counting. So, yes, I love him and his music a lot.

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And on the 15th of March, it was finally time for me to make my way to London to see him. Obviously, I was very very nervous and uber-excited, but not just because of the concert. Before writing this post, I was debating on whether I should tell you this or not, but it’s just such an important moment in my life, I have to share it. I didn’t drive to London just to attend Tom’s show, I also went there to meet him beforehand and do an interview with him. There, I said it. Yes, guys, it really happened. I really had an interview with the one and only Tom Rosenthal and I still can’t wrap my head around it.  And I still feel incredibly honoured and grateful that he agreed to chat with me. I’m obviously not going to make a big story out of it, that’s not who I am. I just want to say that he was incredibly nice and absolutely lovely and I felt so welcome around him, so yeah. Definitely something I will never ever forget. Thanks so much, Tom, for everything. Also, as I did the interview for my uni magazine, I’ll try and post the link of the published article on here as soon as it’s out, so stay tuned for that.

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So, after that incredibly unreal interview had happened, I went to get dinner in London and went straight back to the venue – which was a literal church (St. Pancras Old Church) and also the most beautiful place ever. Obviously, the room was already packed, which just proved my point that the world had only been waiting for Tom to finally come out of his shell and do a few shows. He told me that he actually doesn’t want to get big, but I don’t think there’s anything he can do about that. It will just happen, naturally. Because everybody loves him and his music. That’s just how it is. Which was also something you could actually feel in the room as soon as Tom and his lovely band came on stage and started to play. God, it was just such an incredible gig. Tom even sounds better live than on his studio versions, which didn’t surprise me at all. He’s just that talented. And he was so funny, holy moly. Cracking one joke after another. Even though it was his third ever show, he already had the whole stage presence thing nailed down. And I was standing there, watching him and taking it all in, soaking up the beauty of the moment. I think throughout those two hours, I didn’t stop smiling, even when I was crying and silent tears were rolling down my cheeks. Happy, emotional tears, of course. It was just such a beautiful gig, honestly. A small church, about 70 people, Tom’s incredible band and his angelic voice. Nothing can compare.

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I remember that I went home, completely mesmerized by what had happened in the past few hours. And I still can’t fully believe that it all happened. I can’t even begin to describe the feeling of gratitude and happiness and incredible luck I feel whenever I think about it. And I hope by reading this post, I could translate some of those feelings over to you as well. As I mentioned before, Tom is currently on tour, so I can just highly recommend attending his shows and experiencing this magic live – here’s a link to his website, where you can find his tour dates. And until then I hope you enjoyed this post. As always, please don’t hesitate to leave your thoughts and comments down below. And, of course, I wish you all an amazing week. Oh, and just as a short info – I won’t be posting anything until next Friday, as Leni will be visiting me here in Brighton this Thursday until next Monday. We’ll be watching Endgame on Friday and, honestly, if I could put into words how excited and also frightened we both are, I would, but I can’t. So yeah, I’ll see you next Friday, obviously with a whole post about Endgame. What else. And until then, thanks for reading, guys. x

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A Hippo Campus Dream

Hola everyone.


Not to be dramatic or anything, but what I’m going to tell you today is something I would have never thought I’d ever be able to write down and tell the world. Never. And I’m not exaggerating. To keep the tension up a bit, I’m not gonna tell you all of it just now, but as you can see by the title, it has got something to do with my beloved Minnesota boys, also known as the amazing band Hippo Campus. And yes, it indeed includes me seeing them live. FINALLY. But let’s start right at the beginning.

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So, as most of you guys will probably know by now, I am a huuuuuge fan of Hippo Campus. I won’t go into detail why, because it’s pretty obvious once you listen to their music. Frankly, they are one of the best bands out there right now and their talent is basically unreal, so yeah. They are currently receiving more and more attention, which I’m honestly so happy about. They deserve all of it and so much more.

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Last year, they pretty much blew my mind with their new record ‘Bambi’ (here’s the review I wrote about it – click me) and to be honest, if TOP hadn’t released Trench in 2018 as well, Hippo’s LP would have been my favourite album of the year, by far. It’s just a work of art, it truly is. And so when I found out that they would be doing a show here in Brighton, I basically freaked out. I mean, they aren’t as big in the UK as they are in the US and they would never come to my country, not when they’re still so unknown there, so I wasn’t actually expecting to ever see them live. I didn’t expect it to be that easy, at least. I thought I’d have to fly to the US and see them there or whatever. But they decided to come to me and I’m still so happy about it.

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So, you probably already know where this is heading by now. Last Sunday was the day. THE DAY. The day I had been waiting for for such a long time. And oh my god, the wait was so worth it. And I’m not just saying this because I’m such a huge fan, I’m saying it because it’s true: the show was literally perfect. And I still can’t get over their talent. I mean, just when you think about all the different instruments and musical abilities they bring together on stage – one trumpet, two drums, two basses, two guitars, one piano, one tambourine and fire vocals on top of that. And there are just five of them who all do this. I mean, honestly, how much more can you wish for? That’s exactly the reason why they are so unique and why their shows are this good. They just absolutely know what they’re doing and you can feel that.

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About the show itself – besides it being absolutely fantastic – I basically got to the full thing, as I managed to get to front row (yes, I’m very proud of that, thank you very much). They played Bambi, the title track, as their very first song, which kind of surprised me, as it’s one of their biggest songs, but I didn’t mind at all. And after that, they stuck to a good mix between older and new songs, which was just perfect. And I didn’t really think it was possible, but they really are so much better live than on the studio versions. By which I obviously mean that the studio versions are so good that I never thought that they could even top that. But they can and they did. And I guess it was also just the atmosphere overall and their stage presence. You could really see how much they enjoy doing what they do and that made me so happy.

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If I had to pin down my favourite moments of the whole show, I think I’d end up with the following three:

First of all, they played Monsoon, which is basically unbeatable. It’s the first song I ever heard by them – I can still see myself sitting at home in the kitchen and finding the live version on YouTube and listening to it over and over again with my eyes closed. And after all this time, it’s still my favourite. So when they played it, I was immediately thrown back to that very moment in the kitchen and then I watched them play it and then the tears kept coming and I just let them. It was such a magical moment. Most of the people next to me had closed their eyes during the song, which I did too, and you could really feel how calm and emotional everyone had suddenly become. It was absolutely beautiful.

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And a few songs after that they played Violet, which is my favourite song right now. It’s just so much fun, so when they played it, I went full party mode and sang and screamed my heart out. I felt so alive and happy and it was then that I realized that this was really happening. And I was so grateful at that moment, for everything.

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And last but not least, my third favourite moment has to be one including Zach (what a surprise). He’s their bassist and v v v cute, but I’m not gonna go into more detail. But the scene was that inbetween two songs, girls were screaming “I love you” at Jake (the lead singer) and suddenly Zach just had had enough. So he went up to the mic and said: “Do you actually have an idea how it makes the rest of us feel when you scream things like that at Jake? I mean, what about the rest of us? How do you think this makes-“. And BAMM, suddenly a whole bunch of pink roses hit his face. I literally couldn’t stop laughing. And in the process he had caught one and was just standing there, holding the rose to his face, looking a bit startled. And then he smiled and said: “Oh okay, I feel better now.” And I felt like I’d faint on the spot. It was all just too much cuteness for me to handle.

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So, there you go, those are my favourite moments of the show. But let’s be honest, the entire show was just one big favourite moment. One that I’ll never ever forget. I’ve been looking through a few pics and videos I took during the show and their talent really is unreal. I kept watching Nathan (the lead guitarist) during the show and he’s just so incredible. All of them are. And they’re just very cool and lovely people. Which brings me to the one super crazy thing that I never thought I’d be able to tell you that I mentioned at the beginning of this post. I’m not going to go into any detail, but I just want to say it now so it’s out there in the world for me to read when I’m old and want to look back at all the incredible things I’ve done. So, here it comes: I didn’t get to front row because I was waiting outside the venue, but because I got interview the boys before their show and then watch the soundcheck and wait there until the gig. And I know, it’s basically the biggest deal of my career so far – and apart from some family and friends stuff and moving to Brighton also the biggest one of my life – and I still can’t believe that it really happened. Like I said, I don’t wanna go into detail, but I just want to say that they are incredibly nice and real and honest and inspiring people and I’ll forever be grateful for the way they treated me. In a nutshell, it was one of the most interesting, fascinating and fun chats I’ve ever had in my life and probably ever have. I honestly adore them so much.

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And this is where this post comes to an end. To be honest, I still cannot believe how lucky I am, I feel like I’m in some sort of trance. You know this feeling when something so big happens that you start to question whether you’re dreaming or it is really happening? This is what the past days have felt like, especially Sunday. Honestly, my life has become a dream and I’m living that exact dream. And I can’t even begin to tell you how thankful I am for that. I feel like the luckiest and happiest person on earth. Always believe in your dreams, guys. Always.

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For all of you music lovers out there, if you take one thing from this, then please be it that you need to listen to this fantastic band called Hippo Campus and that you need to see them live immediately. Like, right now. Trust me, you won’t regret it. I’ve already reached the post-concert-sadness, which is why I’m already looking for a way to see them again as quick as possible. And you should all do the same.

And yeah, until then I hope you’re doing good and wish you an amazing weekend. As always, I hope you enjoyed this post and if you’ve got any questions or thoughts, please don’t hesitate to leave them down below. And, of course, thanks for reading. x

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Halloween à la Capaldi

Hola everyone.


Happy November and belated Happy Halloween to you guys. You know, I’ve always been quite in love with this special holiday – although, is it really a true holiday? – but unlike here in the UK, this night of the dead was never a big deal in my country. No trick or treating, no little kids strolling from house to house. Just people dressing up weirdly and drinking and eating way too much stuff. But here in the UK and Brighton it’s like Christmas, only there’s no Santa, but vampires and witches and hundreds of Michael Myers. Less scary than you would think, but definitely fascinating.

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So, you could say that this year’s Halloween was a bit more unusual and tons more special than my past ones. But not just because of all the craziness of the people in this town. More because I got to spend this Halloween with a very special person – the one and only Lewis Capaldi. And yes, you guessed it right, I spent this year’s Halloween at a concert. Couldn’t get more on brand, right?

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Most of you guys will probably know this Scottish guy with the raspy voice, but if you don’t, what are you doing with your life? Okay, no, I’m just joking. But honestly, you’re truly missing out if your ears haven’t yet been blessed by Lewis’s amazing voice. He’s actually only been around since the beginning of last year, when his song “Bruises” basically blew the metaphorical roof of the internet off. It was everywhere. Even I heard it, without knowing who this guy was and having even less of a clue that I’d be seeing him live twice the following year. Since then he’s been touring Europe countless times, the headline tour he’s doing now even selling out for most of the dates, which is completely crazy. I mean, he hasn’t even got an album out and is already at that stage of his career. Which he’s fully aware of himself, as he joked on Wednesday in his funny Scottish accent: “I just realized, I only have like seven f*cking songs”. A singer-songwriter with a unique voice who doesn’t take himself too seriously, what a catch.

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Actually, I would describe the show as an amazing party, sprinkled with raspy screams, raw voices, tons of goosebumps, some very emotional tears, only the very best selection of dirty jokes and minutes filled with laughter. So, overall, I have to say I pretty much loved every single second of it and actually never wanted it to end. Lewis’s voice is something special, that completely draws you into it. It totally fills you up and cuddles you like a blanket. Which is something that especially got noticeable when he played some of his newest tracks, which, by the way, I can’t wait for to be finally released. His new album is definitely one of those musical pieces that I’ll be eagerly looking forward to.

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If I had to choose my favorite moment of the set, I would say either those few minutes when Lewis played one of his new songs and the whole crowd just went completely silent, letting his voice float through the room and fill it up. Or the very end, when he played “Bruises”, which is the one song he’s most well-known for. That’s the song everyone knew and every single person could sing and scream. Suddenly the whole crowd morphed together into one huge choir, which, not to be dramatic or anything, was rather magical. Those are exactly the moments I love the most at concerts – the most quiet and most passionate ones. It’s live music at its finest.

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For me, Lewis is one of those people you can go and see live over and over again, because he’ll always make you crack up with his jokes and dream for a bit with his songs. He just knows how to turn the evening into something special. And I’m more than happy that I got to spent Halloween at his concert, because it was just so different, in the best way possible.

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If any of you have a bit of money left and an intense urge to spice up your playlist with some new, amazing music, I’d highly recommend going to one of Lewis’s shows. I think he’s touring the UK and Europe for a bit now over the next few months, so it’s worth to look out for him. And until then I’d love to hear your opinions on his music, I really hope you like it. So, please don’t hesitate to leave your comments and thoughts down below. As always, I hope you’re all doing good and that you enjoyed this post. I wish you all a great weekend. And, of course, thanks for reading. x

This is Trench

Hola everyone.


Looks like we’ve come to another Friday, huh? How has your week been? I hope it’s been great. I’m honestly really looking forward to the weekend. And believe it or not, but while I’m writing this, I’m actually sat outside, at the beach. The weather has been close to perfect the past days and it kind of feels like the summer is having a little comeback here in Brighton. And oh yes, I’m more than loving this.

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But besides the weekend, there’s something special that I’m even more looking forward to. The music lovers among you, who’ve read the title of this post, will probably already know what I’m about to talk to you guys about. Yes, I have the absolute honor of discussing the hot and new album Trench by the one and only Twenty One Pilots. God, I can’t even begin to tell you how long I’ve been waiting to finally say this. Long. But as the clock struck 12 tonight, the world was blessed with this new album. And I’m not just saying this because I’m a huge fan of Tyler and Josh and their amazing music. No. I’m saying this because those 14 songs on that album are freaking masterpieces. The whole album is a masterpiece. Welcome to Trench.

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So, let’s start right at the beginning. Trench is the fifth album by Tyler Joseph and Josh Dun, better known as the band Twenty One Pilots. To be honest, when I heard that they were finally releasing a new album, after their one year long hiatus, I went nuts. You know, TOP aren’t just a band. They are special. Like really special. I’m just gonna go and say that I do know and listen to a lot of bands from different genres. But TOP are on another level, their music isn’t like anything I’ve ever heard before. A statement that became even truer when I heard their very first single Jumpsuit, then Nico and the Niners, Levitate and My Blood. And even more when I got to understand the meaning behind all of these songs. If you want to check out my review of them, where I explain the whole story of Dema and Clancy and what’s it all got to do with a jumpsuit, please click here.

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Personally, after listening to those four songs and now the album, I’d say that we’ve all just got to witness TOP moving on to another level and another era. Not just because of the story, but also from the musical point of view. Because on the one hand, Trench gives us the typical sound of TOP that we all love so much, but on the other hand it’s a complete change and surprise. It’s still schizophrenia pop – yep, that’s their own genre, created just for them – but also very different. It’s a total rollercoaster, from start to finish. Genres change within the songs and between them. The rhythms seem very soulful, sometimes even moving towards RnB. There are breathtaking rap parts, followed by tear-jerking violin lines and lyrics that tell you nothing but the truth if you just listen to them closely. That’s what I’ve always loved about TOP and Tyler’s writing – he doesn’t hide anything, he just doesn’t make it too obvious.

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But what exactly is Trench? Well, that’s a question that’s not easy to answer – like with most things when it comes to TOP and their music. After researching for hours and hours and listening to and reading the lyrics, I’d say that Trench is far more than just a story about an imaginary city called Dema and a trapped guy called Clancy. At the end, the album is about Tyler and Tyler only. About his ongoing fight with depression and anxiety (Morph), about suicidal thoughts (Chlorine, Cut My Lip), about the death of his grandfather (Legend), his love for his wife Jenna (Smithereens), his struggles as an artist and writer (Pet Cheetah) and about his relationship with the clique, their fanbase (The Hype, Leave the City). Once you look over those mostly cryptic lyrics and acknowledge the deeper meaning of them all, this album becomes a really personal one. This is also why while listening to it for the very first time, I didn’t know what to do with myself as soon as it ended. I had so many different emotions trapped inside me. I felt happy and sad, broken and mended, conflicted and ecstatic. And there were still tears glistening in my eyes, both happy and sad ones. And even after all these hours that have passed since, I still can’t fully get my head around it. It’s just too much. But in the best way ever.

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Looking at the songs themselves, I kind of feel it’s really hard to split them from another. They just fit so perfectly and carry the story of the album like a red thread, that it becomes especially impossible to chose a few favorites. I can just tell you which songs had the biggest impact on me during the very first listen: Jumpsuit, My Blood, Neon Gravestones, Bandito, Legend and Leave The City. Some of these got me because of the lyrics, some due to the huge surprise of musical changes. But all of them are amazing. As are the rest, of course.

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I would actually love to discuss every single song with you guys, especially as I literally googled and kind of analyzed every single one, but that would turn this post into a never ending one. Due to this, I’d just like to stick to most of the songs that I stated above and kind of go through all of their meanings.

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Jumpsuit

I’ll never forget the very first time I listened to this and watched the video for it. It blew me away. As some of you may know and also as I’ve mentioned right at the beginning of this post, I’ve already analyzed this one, so please click here to find out more about the mind-blowing story behind this song and its followers.

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Neon Gravestones

This is the one song that actually struck me because of how true and direct the lyrics are. The song starts off with a calm piano rhythm and then goes into the more upbeat drums by Josh, followed by an amazing rap by Tyler about suicide and how society nowadays glorifies those who end their lives. He especially addresses artists who end up being never forgotten because they ended their lives at the peak of their career. They are the ones who have their names in neon lights, which then become neon gravestones, once they die. Tyler then continues talking about his own death (“I could go out with a bang”), and that he doesn’t want us to remember him because of his death, but because of his life. The song then both peaks and ends with a powerful, rhythmic rap about how we should rather glorify life and celebrate those who spent their time living it, for example grandparents (this part especially gets a far greater meaning once you get to Legend and find out what’s it about).

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Bandito

Do you know this feeling when you listen to a song and you never want it to stop? Ever? Because that’s what happened to me while listening to this. Bandito starts off with a distant beat that kind of resembles the noise of a heart rate monitor. Later on, during the chorus, the rhythm moves up a bit while still retaining the slowness of the beginning. And then Sahlo Folina comes. Those are the two words that act as a guide that moves you towards the second, more upbeat half of the song. What makes this song stand out for me are those exact parts when Tyler creates his own choir by singing Sahlo Folina over and over again, while the drums in the background become faster and faster and draw you into them. I couldn’t help myself but feel my heart beat faster with every second that went by. But what’s the meaning of the song? Honestly, yes, the lyrics are indeed as cryptic as you would think, but as always the clique is better than the whole FBI team out there. From what I could find the song actually is about Tyler and Josh and their lives between the Blurryface era and the Trench era. But even more so, the song is about Tyler being trapped in Dema and creating Trench to feel some sort of control. It’s about his creative life, which also connects to the translation of Sahlo Folina that I found on Reddit:

In Bandito the line “Sahlo Folina” appears several times. I’ve seen several people think this is something backwards, but it actually has its own meaning. “Sahlo” means to enable in Somali. Folina is a name and according to a name website I found, it means this: “Your name of Folina has made you happiest when you are expressing in some creative, artistic way, and not conforming to strict routine”. So “Sahlo Folina” means to enable expressive creations. This makes a lot of sense considering the next verse is all about his ability to create the world of Trench.

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Legend

Don’t be surprised, but this is actually the only song on the album besides Smithereens that really has a happy sound to it. It has got it all – a light beat, a dreamy ukulele in the background and Tyler’s raw voice. Naturally, you would expect to be happy while listening to this, right? But nope. Because once you listen to the lyrics, you can say straight up bye to your makeup (if it’s still intact), because here they come, the tears. For me, this song is the saddest one. I mean, most of them have a deep, sad meaning to them, but Legend literally crushed my heart. Because this one is about Tyler’s grandfather and his death. We get to hear the story of how he got Alzheimer and how Tyler couldn’t really cope with it. And how he got to hear the beginning of the song, but not the end, because it took too long. And how his niece will never get to meet him. While listening to the song, I kind of felt like I was a part of Tyler’s life. And honestly, I just wanted to give him a hug.

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Leave The City

This is the last song of the album and for me, also the perfect finale. And while listening to it, you can actually feel Tyler and Josh thinking the same. The song isn’t the last song just because. It has to be there. Not just because it’s a musical masterpiece, with extremely soft vocals and a slow beat that wraps itself around you like a blanket. It’s there because of its meaning. The city, Dema, isn’t just a city, but represents Tyler’s anxieties and depression. As we know from songs like Jumpsuit and Nico and the Niners, Clancy aka Tyler is fighting to break out of the city, he wants to leave it. And this is the point this song describes. Tyler is finally coming to terms with his mental health problems and knows that he will be strong enough to overcome them at some part of his life, but for now, he wants to focus on staying alive. It is once again an ode to the fans, the faces facing him, as he stays in this safe space that is Trench, together with them, and although he’s far from home he’s not alone. This thought is underlined at the very end of the song, which finishes with the lyrics “they know what I mean” (they = the clique) and also the same chord as the one in Truce. Overall, it feels like one of the most dedicated and emotional songs of the album, that resonates with you long after it’s over.

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For me, those very meanings turn Trench into such a special album. When I heard that TOP were making a new album, I knew we would get something new, but I for sure wasn’t expecting this. And I can’t even begin to tell you how proud I am of these two guys. It isn’t just the breathtakingly amazing production (well done Tyler and Paul Meany) or the astonishing lyrics, it’s the overall package. In the words of my mum, this album doesn’t just feel like an album, it feels like a book, like a story. And yes, it is a story. It’s the story of Tyler and Josh and the clique altogether. Ultimately, Trench isn’t a city or a place, it’s us. We are Trench. We are Twenty One Pilots.


So guys, there you go. I know this has ended in being quite a lengthy post, but honestly, I could’ve said so much more. I just really wanted to share it all with you guys, even more because this band and the album mean quite a lot to me. And I really, really hope that you enjoy this album too and of course this post. I will leave the spotify link down below, so you can have a listen for yourself. As always, please don’t hesitate to leave your thoughts down below, please do tell me what you think about it. And until then I wish you all an amazing weekend and hope you’re all doing alright. And, of course, thanks for reading. x

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