Tag: journalism

Meet GEM

Hola everyone.

God, it’s been so long since I last wrote down those two words. Way too long, to be completely honest with you. But I guess that happens when you are in the middle of your last year at university and also doing something very important and exciting on the side – the special something that I want to tell you all about today. First of all, I want to take the time to say that I hope that you all had a lovely Christmas and that, despite all the chaos that’s happening right now, you’re having a nice time with your loved ones. I’ve been back at home in Austria for two weeks now, spending some quality time with my family, but now we’re also back to a full lockdown, so I guess we’re all in the same boat (except for a few special ones… looking at you, Australia and New Zealand). Anyway, it’s been quite nice so far, but I’m also praying that I’ll be able to go back to London once the time has come, I really miss it. It’s actually pretty cool to have not one, but two places that you can call your home. I feel very lucky. Which also brings me back to what I wanted to show you all today.

I’m incredibly proud to present to you my very own magazine – GEM. Yes, I really did it. I went and launched my own magazine, with the help of my incredible friend Lauren, who is also my co-founder and co-editor, and our fantastic bunch of super talented writers, creatives and journalists. To be honest, even while I am typing this out, I cannot believe it is really true. I can’t even begin to explain how insanely excited and thrilled I am to share this with all of you. I have been dreaming about having my own magazine for so many years now and now it’s really become true.

So far, the whole experience has been nothing short of an insane dream. All of a sudden, I have this thing that belongs solely to me and that gives me the opportunities and freedom to interview my favourite bands and to review gigs and albums and so much more. It’s become my ultimate creative outlet and basically one of the most important parts of my life – even in such a short amount of time. And I mean, I’m not going to talk around the bush for long… having freaking Wallows on our first cover and then Nothing But Thieves, my ultimate loves, on our second one is just… I mean, that’s the material my brain usually comes up with during a dream at night or when I create a nice scenario in my head during a mellow ride on the top. Basically, it’s the stuff you usually make up, not the stuff that just becomes reality all of a sudden. But now it has become reality for me and I still can’t believe I’m now living a life where I can say I’ve already interviewed most of my favourite bands, and all of that for my very own magazine. Peak craziness, I’m telling you.

Naturally, I could spend all day and night telling you about the interviews and the overall insanity of this all, but I guess that would take a bit too long for all of us. What I can say though is that I loved every single one of them and that Conor, the lead singer from Nothing But Thieves is probably the most incredible person I’ve had the honour of talking to. Best interview of my life so far, without a doubt. Which makes me even prouder to have the guys on our cover – a band that has meant so much for me for so many years already. Not to mention that their album ‘Moral Panic’ is easily the best album of the year for me. What a gem (pun not intended… or maybe, yes).

As with all things that take up such a big part of your life, the magazine has kept me and Lauren busy all throughout the past months and also through the Christmas holidays, but it’s always been good busy. Of course it can sometimes get a bit much, especially if the world around you has been in flames for way too long, but I would never complain about the magazine. It means way too much for me to do that. And now that our second issue has been out for a month, we’re already busy working on the upcoming one, which will be out at the end of January. I already can’t wait to share it with the world and every single one of you, it will be a great one.

And now the moment has finally come for me to share the magazine with you all. The excitement is real, honestly. First of all, here are the links to our website, our Instagram, Facebook and Twitter. And here is the link to where you can read our latest issue online and here is a link to our shop where you can buy a print copy of the magazine if you would like to support us or if you are just a paper person, like me.

I truly hope that you like the magazine and enjoy reading it just as much as I do. Naturally, I would absolutely love to hear what you think, so please don’t hesitate to leave your feedback and comments down below or to get in touch with me to discuss it further. I’m excited to hear from you. And until then, I wish you all the best time and already a very exciting happy new year. Let’s hope 2021 will be a lot better than 2020 in a whole bunch of aspects. And yeah, sending you all the tightest hugs and, as always, thanks so much for reading. x

Brad Heaton – The Man Behind The Pictures

Hola everyone.

Welcome back to my blog. How are you doing today? I hope you all have had a great week so far. I’ve been once again jumping from one thing to another, like a ball in one of these old pinball games – from my job to the new role as editor in chief for LDN to the cat shelter I’ve started working for to the stuff I need to do at home and lastly to stuff I would like to do in my free time. I know, I already said it once, but I really enjoy it. I just feel like I would really enjoy a good holiday now. But that will come too.

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Anyways, I hope you’re all great and excited for today’s post. For all of those who’ve been following my blog the past few weeks and have had the chance to check out the design I made for my own magazine ‘Lemon’ – click here – you will probably feel like this post seems a bit familiar. Because it is. For my mag, I wrote an article on Brad Heaton, the boys’ (Twenty One Pilots, ofc) official photographer, who I absolutely adore and admire. And as I love the piece so much, I thought it would be nice to upload it separately. Unfortunately, I couldn’t reach out to Brad to ask him for an interview, so I used quotes from past interviews and his Reddit Q&A.

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I really really really hope you enjoy the piece. As always, please don’t hesitate to leave your thoughts and comments down below, I’d love to hear them. And, of course, I wish you all a lovely weekend and thanks for reading. x

 

The man behind Twenty One Pilot’s stunning pictures

Interview with Brad Heaton

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To a gig, there are several parts that make or break a good concert experience and turn it into the special events we all know and love – the live music (obviously), the hyped crowd, the sometimes very pretty, sometimes a bit tacky merch and, last but certainly not least, the photographers. They are the ones running from one corner to another in the pit behind the barricade, hands stuffed with cameras the size of their own heads. And while we as the concert-goers usually overlook those busy bees, to the musicians and the industry they have always been a vital part. More often than not, the photographers and the artists build up a bond during the weeks or even months they spend on the road together. Their workflow changes and soon enough they become one. Brad Heaton and the oh so popular pop-rock duo Twenty One Pilots are the prime example for such a symbiotic relationship. Among the group’s fandom, the clique, Heaton has acclaimed a popularity status that could easily compete with Tyler’s and Josh’s, with fans greeting him at gigs all across the world and selling out thousands of his prints within minutes. For the community, there is no Twenty One Pilots without the beautiful shots by Heaton. But it wasn’t always like that.

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“When I was playing in baseball tournaments as a teen, there’d be photographers taking shots. I’d always end up watching them instead of our games. That sparked the interest,”, states the Ohio- based photographer, “A few months later, my niece received a camera for Christmas. It was so neat that I told my mother, ‘I want something better than that’. It was partly out of jealousy, but luckily enough that first camera would transition into a full-blown career.” Having grown up in a blue-collar family and as the only not interested in literally climbing trees for a living, choosing photography as his future career felt like both an insane risk and the most exciting step in Heaton’s young life. It wasn’t until the age of 16 that he finally started shooting bands and artists, mushed in a local music scene that was packed with small venues and musicians trying to become the new real big thing. So instead of paying five dollars to be able to attend those gigs, Heaton decided to simply offer the bands his skills as a photographer. And back then, in an era when the internet had just started to flourish and MySpace had become the coolest platform on earth, having a few nice pictures on your band‘s page was definitely worth more than five small dollars.

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But it wasn’t until 2012 that Heaton finally met Twenty One Pilots – the band that would later lead him to a level of popularity and fame that only some of us can call their own. After Mark Eshleman, the band’s creative director and childhood friend of frontman Tyler Joseph, had introduced them, Heaton went on to shoot more and more of their shows, until he finally became their official photographer in 2016, which he still is today. Suddenly, he had gone from being a guy with a mediocre camera shooting his favourite bands from somewhere in the back of the pit to being the exclusive music photographer of the biggest bands of our time and one of the most admired artists today. There is only one thing that hasn’t changed – he’s still shooting his favourite bands. “I’ve always lived by the motto ‘you’re a photographer, not a fan’, just so I don’t distract myself with the celebrity status. But music is a different story entirely. I’ll get lost in the environment of a concert, but still do my job. That’s why I’m there.”

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But in an industry that is nearly overflowing with talent and people trying to make it, sticking out of the crowd and making it to the top hasn’t been easy, but it seems like Heaton has achieved the one thing so many of us strive to get to – he has found his own voice in a world that is nearly deafening and has turned his photographic style into his trademark. He has made it, he has become one of the special ones. But obviously, that didn‘t come on its own.

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“I have never considered myself strictly a concert photographer. I’ve been well-rounded with photography since the day I picked up a camera. I started with darkroom and film photography, worked as a sports photographer, done studio work for some major brands, spent weeks studying light and compositions from films, created conceptual stories and narrative tales through photographs. I like to treat every single concert like it’s a sporting event. The shots of the players standing around are cool, but the photographs of the player making a diving stop at third base and tossing out the runner at first is the one that’s going to make the front page,”, explains Heaton while talking about what makes his shots so special, “I do my best to do something different at every concert. The more unique perspectives you’re able to tackle, the more your work is going to stand out.”

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And truly, as crazy as it might seem, for Heaton, the shows can turn into sporting events really quickly. “During shows I think I run around 12,000 steps according to my iPhone. Add the weight of the cameras and it‘s quite a workout.”

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not my picture; credits to Brad Heaton

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The one thing that has made Heaton’s work shine like a bright star on a clear night’s sky is the closeness he has developed to the fans, and especially the clique. More often than not, the crowds and fans have turned into the photographer’s favourite objects to turn his lens to, which has sparked many different reactions and slowly turned into great story material: “If I‘m taking a photo of a fan, they see my camera, then completely freeze up and awkwardly smile. I think some of the most genuine photos are the ones where I can catch a fan completely enamoured by the show.” This is one of the reasons why his photos have become something like infamous artworks among the members of the clique and are lining the walls or radiating from thousands of phone screens of devoted Twenty One Pilots fans.

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It‘s this mix of passion for photography, love for music and a huge amount of talent that has made Brad Heaton the popular, sought-after photographer that he is now, while he still stays the grounded, open person he has always been. Together with Twenty One Pilots, he has created photos that should rather be considered pieces of art and have become prime examples of the magic music photography can entail.

“Rock with Horns”

Hola everyone.

Looks like we’ve reached another Friday yet again. To be honest, I’m surprised I still know what day it is. They seem to blend into each other the past weeks. But here I am once again, sitting in front of my laptop, thinking about what to write about today. And I know it might not sound like that, but this simple act of typing something up to share with you guys is one of the things that have been keeping me afloat. It gives me a sense of structure and responsibility. I might not be able to the cinema or meet my friends, but I’m still able to talk to all of you and I can’t even put into words how much I appreciate that. So here I am, once again.

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Okay, and now let’s talk business. I know I’ve hinted at it already a few weeks ago, but today the time has finally come for me to share the fantastic interview I did with the uber-amazing band HUNNY. If you’ve been following me and my blog for a while, you will probably already know who these very special boys are. In a nutshell – they make crazy good music, I was super excited to finally meet them and you should definitely read the interview and then give them a listen. You won’t regret it, I promise. And so, without further ado, here’s our little chat. I hope you enjoy it.

“Rock with Horns”

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Going to a concert of the Californian band HUNNY is a very special experience. They meet all the criteria for the perfect indie band: charismatic with a touch of rogue, a frontman who turns the stage into his dance floor, a flawless shredder on the guitar, a synth magician, and a funky bass player. That’s why it’s fairly easy to be obsessed with HUNNY, consisting of Jason Yarger (vocals), Jake Goldstein (guitar), Joey Anderson (drums) and Kevin Grimmett (bass, keyboards) – these LA rockers are absolute favorites: young, passionate and full of sugar. I met the humorous guys for an interview before their sold-out show at Shepherd’s Bush in London and talked to them about their current tour, the production of their newest album, and the fight for authenticity in the music business.

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How did your band start off?

Jake: Same old story. Some old story. We’ve just all known each other forever. Jason and I lived together in a house and then everybody started to come to us and hang out and then this band happened.

Joey: Pretty boring origin story. Nobody got bitten by a radioactive spider or anything.

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How would you describe your band to someone who doesn’t know you?

Kevin: If you mean an older person, like a boomer, then we’re a rock band, they wouldn’t understand anything else. But when we’re talking to someone who knows what we’re about, we do alternative rock.

Jason: I don’t like that one though. It’s so broad to say that. I never know how to describe us.

Jake: We make rock with horns.

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What do you dislike most about your job and what do you love most?

Jake: The industry behind music sucks. But that’s also the thing that allows us to play shows like tonight. Venues are only open because people buy tickets and drinks and come to concerts. That is also the catch 22. I wish every show could be five pounds, but unfortunately, that wouldn’t work.

Jason: Speaking of catch 22, tour is the worst and best part. It’s tough, but it’s also the greatest time. When we played a small gig recently, there were two girls from Japan at the show who go to school here in London. So they came from Japan and are here in England and we are also here and we are all very far from home and connected by this one thing, by the music. That’s really cool.

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How does your production process work?

Jason: Basically, we sit around the laptop and play around with melodies and rhythms until it sounds cool. We don’t really jam with all our instruments in one room, because then everyone just worries about what they do personally. Because you feel like you have to add something even if the song doesn’t need it. That’s why we prefer to sit together and talk about what we have to add to a track instead of everyone doing something just to do something.

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From your album cover to your merch, everything you do looks really nice. I assume aesthetics mean a lot to you?

Jake: Yeah, we have a hand in pretty much everything. Jason designs our merch and album art and in general, we talk about our visuals a lot. It’s definitely something we actively talk about and think about.

Me: Do you think that will ever change?

Jason: I’m too much of an asshole to let anybody else make any of our art for us. So probably not. I have a very tight grip on things sometimes.

Joey: He rules with an iron fist.

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What does the contact to your fans mean to you?

Jake: That’s the most important thing. It’s our favourite ethos – we come from loving DIY bands and punk bands, where the whole idea is the connection of the fans being a part of the greater thing that is the band. The fact that they have such a strong bond with our music and want to share their art and ideas with us means that they are as invested in the band as we are, if not even more. That means a lot to us.

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How do you try to stand out from the endless mass of bands?

Jason: I think we try by not trying. As lame as that may sound.

Joey: Being genuinely ourselves is going to make us stand out. Trying to be anything else will only make us look like doofuses.

Jake: Absolutely true. Those are the things in music that cut through right now. Things that feel genuine, that are authentic, that’s all people want. To know that something is real.

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What does music mean to you?

Kevin: I think it’s everything. It’s style, the way you act, everything.

Jason: Music took over my life when I was ten years old. It’s quite literally absolutely everything in my entire life right now. I was up on a night drive with our tour manager in the states a while ago and we were talking about how insane it is that some people are not like that. Obviously, everybody is different but it’s so crazy that it’s literally the only thing I can think about. It’s made me homeless and happy and depressed and everything in my entire life revolves around it.

Jake: It has to mean a lot to you to give it a go like we are.

Jason: Tell Rolling Stone my last words were I dig music.

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HUNNY’s new album “Yes. Yes. Yes. Yes. Yes” is available everywhere now. In short – you should definitely give these guys a listen right now – here are their Spotify and Instagram accounts -, they’re too good to miss out on them. And until then, I hope you all enjoyed this interview and wish you all a fantastic weekend. I hope you’re all doing good and getting through the quarantine okay. We’ll get through this together, I promise. If any of you need to talk, I’m here. And, as always, I’m sending you all the tightest hugs and thanks for reading. x

‘Sadboy Guitar Bangerz with too many soloz’

Hola everyone.

And welcome back to my blog and another Friday – not really a New Music Friday, but something more exciting than that. Here in Austria, I can slowly start to see the finish line of our quarantine and maybe it’s because of that or maybe because I’m sitting outside, enjoying the glistening sunshine and some fantastic music playing the background, but I’m feeling a lot better than I was a few days ago. I’m already imagining how we’ll talk about this crap of a spring in a few years. The time we couldn’t go outside anymore and hugs were illegal. Crazy times.

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But speaking of fantastic music – today’s a very good day for music. Specifically for the phenomenal indie band Peach Pit, who just released their new album today – it’s a banger – and who I got to interview a few days ago. And I couldn’t be any more excited to share the finished article with you guys. Please enjoy. And please go and give the guys a listen. They’re honestly so good. And the album is literally the perfect addition to any playlist. And we’re all in need of some great music right now, aren’t we?

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‘Sadboy Guitar Bangerz with too many soloz’

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It’s safe to say that 2020 has already been one hell of a year, and while that’s not necessarily a positive sentiment for a lot of people, for the members of Vancouver-based band Peach Pit, it’s been an unforgettable year for all the right reasons, with their newest album “You and Your Friends” just having been released. Intense, fun and with the warm breeze of a day at the beach, the album makes a perfect addition to any quarantine playlist. And it’s true – Peach Pit is the type of band whose music is always, and without fail, good, with their second full-length effort being no exception. To celebrate their special release, I got to chat with lead vocalist Neil Smith about the early beginnings of his band, the importance of teeth and their plans for when we all finally get to leave our rooms again.

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Let’s start right at the beginning – how did this band start off?

Well, our guitarist Chris and I met in high school, but him and our bassist Peter actually go all the way back to kindergarten. The four of us didn’t really become friends though until we were in our early twenties. That’s when we all connected and actually became good pals.

Did you think you’d end up where you are now back then?

We were always hopeful, which is how you have to be when you start out trying to make music. But no, it’s hard to believe how far we’ve come since playing in Chris’ dad’s basement 5 years ago.

What do you enjoy most about being a band? What do you dislike most?

Getting to tour all over the world and have fans in every city wanting to see you play is very surreal. That’s probably my favourite. And my least favourite is being stuck in the van with Mikey when he starts to feel cooped up. He goes crazy sometimes and just starts playing his drum machine super loudly to annoy us. It sucks!

Looking back on your career so far – what is your favourite memory?

Probably playing our last big hometown show in Vancouver. It was on Halloween and at a big theatre that has always been on our bucket list to play. All of our family and friends were there and we dressed up in full KISS costumes. It was sick pretending to be Gene Simmons for a night.

How would you describe your band to someone who didn’t know you?

Sadboy Guitar Bangerz with too many soloz!

I read you like to describe your sound as “chewed bubblegum pop” – could you explain the meaning behind that?

We only said that because people always ask what kind of music we play, and because Indie music steals from rock and pop and more down tempo stuff it can be hard to pick which “genre” you belong to.

What was the process of producing and creating your new album like?

The writing portion was pretty challenging, we all spent a lot of time in our rehearsal space and I spent a ton of time at home alone trying to write songs last year. The recording of the record was the best though. We got to work with John Congelton and we hit it off immediately with him. He’s one of the funniest and most fun guys to have to hang around for weeks on end. I hope we can record another album with him in the future.

Do you follow a certain formula when you write your songs or is the process different every time?

Yes. Usually I come up with either the song title or the first line of the song and write it down in my notebook. Then I try and come up with a chord progression that I like and add a melody and lyrics to it. Once the song is done being written, then I bring it to band practice and the guys and I mess around with it until we’re happy with all the parts and the arrangement. The song generally changes a lot from when it’s just me at home to the full band playing it.

Why are teeth so central in your new album?

Because their highly underrated, how hard would eating be without them!

What is your favourite track of the album and why?

My favourite has changed a lot since we finished recording the album. But right now, it’s probably a two-way tie between Brian’s Movie and Your Teeth. With Brian’s Movie, I really like that Chris is playing a 12-string guitar with a slide (he’s never done that before) and Your Teeth I just really love the melody, it’s kind of creepy but also sad and pretty.

What has been your most enjoyable song to write so far and why? What’s your favourite song to play?

Shampoo bottles was written really fast, like in two days which is way shorter than normal. I love when a song just falls out of you super easy. And my favourite to play would be Brian’s Movie, I just can’t get enough of that 12 string.

How do you try to stand out of the crowd?

We just try to be ourselves as much as possible. I think people can sense when you’re being fake so you might as well avoid trying to be something that you are not. This would be my strongest piece of advice to any young bands starting out.

What are your plans for the future, after all of this is finally over?

Well once all this shit dies down we’ll be able to get our touring schedule back on track. We were so excited for this spring but unfortunately staying at home is the most important thing we can do right now. So, in the meantime we’ll just be on Instagram live as much as possible. Please tune in.

What does music mean to you?

It means everything to me. Besides my family and friends, it’s the most important thing. Not only is it our livelihood but it’s just our favourite way to spend our time. Being able to pick up a guitar and entertain myself while being stuck inside has been a huge blessing.

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Peach Pit’s latest album “You and Your Friends” is now available in stores and on all download and streaming platforms. 

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And there you go, guys. I hope you enjoyed the interview. Please do go and give Peach Pit and their new album a listen – it’s uber fantastic, it truly is. And just so much fun to listen to. And besides that, I hope you’re all doing good and not going too insane at home and wish you all a lovely weekend. And, as always, thanks for reading. x

A night with the club

Hola everyone.

God, it feels like it’s been ages since I posted something. Probably because it literally has been ages. I mean, I know it only has been about two weeks, but it feels way longer than that. Also, I’m very sorry that it has been so long. I’m not even going to come up with any excuses, mostly because I’m currently working on not stressing myself because of everything, especially not my blog, because, in reality, it shouldn’t cause me any stress at all as it is my blog and I have the freedom to decide when I want to post something or not. So, there it is. But still, I’m sorry. I hope you had a great few days though and that you’re doing great.

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Today, finally, I’d like to share something very very very special with you. Those of you who have been following my blog for the past few months and especially the past few weeks will know that I recently had the honour of seeing Bombay Bicycle Club live for the very first time. In, like, ever. But the even more exciting part was that while I was seeing them in this tiny venue in Brighton and later on writing about it on here (click here to read that post), I already knew that I’d be seeing them again shortly after that. Which is exactly what happened last Friday and I just have to tell you all about that fantastic night and unforgettable show.

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First, let me just remind you of the fact that Bombay have been one of my favourite band ever since I found them in 2016, right after their breakup, and I would’ve never thought I would ever get to see them live. But now I’m sitting in my room here in London, with the experience of not only one Bombay gig but two. It’s been a week and I still can’t believe it really happened. That my friend Lauren and I went to Ally Pally and actually managed to get to the front row. That I got to talk to Liz Lawrence, who’s part of their live band, after the show. And that I felt like I had the biggest hangover the next day from all the excessive dancing, singing and screaming (I mean, I’ve never had a real hangover, but I feel like it might feel like how I did that day). That’s how good the gig was. I remember that I couldn’t stop smiling the whole time and that I never wanted it to end. Which, as far as I could tell, was something I shared with the band. They looked so proud and happy. I really loved every moment. And I can’t even begin to describe how happy, excited and damn thankful I am that they’re back. One of the best indie bands ever has finally returned and I couldn’t be any more thrilled about it.

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If any of you get the chance to see these guys live, please do it. Even if you don’t know their old or new songs or any of them – just go for the experience. Maybe you’ll walk out with a new favourite band, you never know. And until then I hope you enjoy me babbling about them, which will probably keep on being a regular part of this blog – I apologise in advance (but really I’m not sorry at all, they’re too good for that).

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As you’ve probably noticed, this would usually be the part where I either continue talking about the gig or end the post, but none of those two things are going to happen. As some of you might have noticed, I’ve recently been proudly sharing my reviews that I write for LDN magazine with you guys, which I also want to do now. As you can guess, I obviously had to write a review of Bombay’s show and I feel like it’s such a nice piece, I’d love for you to read it. So, here you go. I hope you like it (here’s the link to the original) and that you’re doing good, obviously. And yeah, please enjoy and let me know what you think. Until then, I wish you all a fantastic Friday and a lovely weekend and, as always, thanks for reading. x

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Live Review: Bombay Bicycle Club @ Alexandra Palace

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It was a sad day for the world of music when the British indie group Bombay Bicycle Club announced their breakup at the beginning of 2016 after many years of success and fame. For a very long time no one was sure whether they would ever hear from their beloved rockers again, but almost to the day, four years later, news was spread that seemed almost too good to be true: Bombay Bicycle Club are back.

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In addition to the comeback, their fans, who had been waiting for their return all this time, were also blessed with the announcement of a new tour and their fifth album “Everything Else Has Gone Wrong”, which was released on the 17th of January. Even I, who had been hoping for the Londoners to somehow resurface again ever since discovering them at the end of 2016, couldn’t believe my eyes and ears. Suddenly they were back. Hard to believe, since they had been the one band that I had been too late for, the one that I would never get to hear new music from and the one band that I would definitely never have the chance to see live.

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And yet, on a cool Friday evening, I find myself in the big hall that is the ever so famous Ally Pally in London, knowing that Bombay Bicycle Club would be appearing in just a few minutes to play the first gig of their two sold-out nights. A thought that still seems unreal to me while standing in front of the barrier and facing the enormous stage.

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Suddenly there is a loud uproar, followed by a sea of ​​shining, flashing lights that herald the lively start of the evening with “Eat, Sleep, Wake (Nothing But You)”. Their highly anticipated comeback single gives a clear signal that Bombay Bicycle Club still know who they are and where they belong, even after so many years – namely on the stages of this world. Despite the dark undertones of their new material, the live experience lights up the concert hall and is also reflected in the collective proud smiles of the Londoner stars.

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Since this is their comeback tour and also, as told by guitarist Jamie MacColl, the closest they can get to having a hometown show, the crowd is not only gifted with fresh material from their incredibly loved new album, but also with a setlist that gleams through its certain touch of nostalgia. Throughout the whole night, the old is united with the new and in one moment even merged seamlessly. Hits like “Luna”, “Shuffle” and fan favorite “Always Like This” make the crowd bounce and shake like nothing else, while newcomers “I Can Hardly Speak”, “Good Day” and “I Worry About You” offer brief insights into the new record and showcase the growth the band has gone through during their break. Ultimately, the London boys are still the same, with their emotional lyrics, haunting beats, and addictive guitar riffs.

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Given the quality of their show and the magnetism of the band, it comes as no surprise that loud, persistent screams fill up the venue before an electrifying encore and the Brits’ final goodbyes. It’s a special show that marks the beginning of a new era for Bombay. After all this time, they still remain one of the most progressive indie bands of the past decade, delivering every show as if it were their last. Let’s just hope that they really came to stay this time.

Indie goodness with The Jungle Giants

Hola everyone.

I’m so sorry for posting this late today. I haven’t really been feeling well all day, so I spent most of my time tucked into bed after uni, where I still currently am, cuddling with Maisy (our cat here in London, obvs) and writing this post. I hope your Monday and your weekend have been great and that you’re doing well.

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I spent most of the weekend working on my uni projects, but there was also this other really exciting event on Saturday, which I would like to tell you all about today. And who would’ve guessed it, it was a gig. Surprise surprise. A The Jungle Giants gig, to be exact. But, in all honesty, it was a fantastic show and I enjoyed every second of it. Naturally, the day afterward, I had to sit down and write a little review on it, which I would like to share with you. I hope you enjoy it. Also, if any of you ever get the chance to see this band live, please don’t let it slip. It was my second time seeing these Australian indie rockers live and I would go and see them again any day if I could. Because the show was just so much fun, so exhilarating and, yeah, just really really really fun. But I’ll let the review do the rest of the talking. Please enjoy. Also, as always, please don’t hesitate to leave your comments and thoughts down below – I’d love to hear what you think. And, of course, I wish you all a nice week and thanks for reading. x

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Live Review: The Jungle Giants @ Electric Brixton

 

They say time flies when you’re having fun, and The Jungle Giants’ Brixton gig seemed to be no exception from that, as it was over just a second after it had started. Or at least it felt like that.

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As band members Sam Hales, Andrew Dooris, Keelan Bijker, and Cesira Aitken took to the stage, the already hyped up crowd exploded in screams and cheers in anticipation of what they knew was going to be an incredible live set. Limbs were loose and smiles were big, with everyone seemingly being ready to dance through the following one and a half hours of pure Australian indie goodness.

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Throughout the whole night, there was no denying that whether you’re a casual listener or die-hard fan, The Jungle Giants have something to offer for everyone. Handpicked from their magnificent discography, the setlist was packed with timeless hits and fan-favourites such as ‘Feel The Way I Do’, ‘Anywhere Else’ and ‘She’s A Riot’ – which instantly caught on fire and left the dance floor in flames. But of course the band also didn’t want to miss out on the chance of showcasing their amazing transformation of the past eight years, moving seamlessly between their classic indie pop-rock moments and their newer, more electronic-based tracks, peaking with the eclectic and infectious ‘Heavy Hearted’.

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And while the band kept banging out hits throughout the night, it was Sam Hales as their frontman, who particularly stood out on the black, colour-struck stage. From square dancing, to the constant crowd engagement and even letting an ecstatic girl in the crowd play his guitar, he sure knew how to hold the audience in the palm of his hands.

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It was that enthusiasm and love from the Australian four-piece which radiated through the room and shone in the eyes of the dancing, singing and cheering crowd, that confirmed that The Jungle Giants really are the new indie sweethearts. With their fully sold-out second ever show in London and their ability to flawlessly transition from their old rock times to indie electronic excellence, The Jungle Giants have proved that they are not only here for a good time, but a long one as well.