Tag: music interview

Brad Heaton – The Man Behind The Pictures

Hola everyone.

Welcome back to my blog. How are you doing today? I hope you all have had a great week so far. I’ve been once again jumping from one thing to another, like a ball in one of these old pinball games – from my job to the new role as editor in chief for LDN to the cat shelter I’ve started working for to the stuff I need to do at home and lastly to stuff I would like to do in my free time. I know, I already said it once, but I really enjoy it. I just feel like I would really enjoy a good holiday now. But that will come too.

.

Anyways, I hope you’re all great and excited for today’s post. For all of those who’ve been following my blog the past few weeks and have had the chance to check out the design I made for my own magazine ‘Lemon’ – click here – you will probably feel like this post seems a bit familiar. Because it is. For my mag, I wrote an article on Brad Heaton, the boys’ (Twenty One Pilots, ofc) official photographer, who I absolutely adore and admire. And as I love the piece so much, I thought it would be nice to upload it separately. Unfortunately, I couldn’t reach out to Brad to ask him for an interview, so I used quotes from past interviews and his Reddit Q&A.

.

I really really really hope you enjoy the piece. As always, please don’t hesitate to leave your thoughts and comments down below, I’d love to hear them. And, of course, I wish you all a lovely weekend and thanks for reading. x

 

The man behind Twenty One Pilot’s stunning pictures

Interview with Brad Heaton

.

To a gig, there are several parts that make or break a good concert experience and turn it into the special events we all know and love – the live music (obviously), the hyped crowd, the sometimes very pretty, sometimes a bit tacky merch and, last but certainly not least, the photographers. They are the ones running from one corner to another in the pit behind the barricade, hands stuffed with cameras the size of their own heads. And while we as the concert-goers usually overlook those busy bees, to the musicians and the industry they have always been a vital part. More often than not, the photographers and the artists build up a bond during the weeks or even months they spend on the road together. Their workflow changes and soon enough they become one. Brad Heaton and the oh so popular pop-rock duo Twenty One Pilots are the prime example for such a symbiotic relationship. Among the group’s fandom, the clique, Heaton has acclaimed a popularity status that could easily compete with Tyler’s and Josh’s, with fans greeting him at gigs all across the world and selling out thousands of his prints within minutes. For the community, there is no Twenty One Pilots without the beautiful shots by Heaton. But it wasn’t always like that.

.

“When I was playing in baseball tournaments as a teen, there’d be photographers taking shots. I’d always end up watching them instead of our games. That sparked the interest,”, states the Ohio- based photographer, “A few months later, my niece received a camera for Christmas. It was so neat that I told my mother, ‘I want something better than that’. It was partly out of jealousy, but luckily enough that first camera would transition into a full-blown career.” Having grown up in a blue-collar family and as the only not interested in literally climbing trees for a living, choosing photography as his future career felt like both an insane risk and the most exciting step in Heaton’s young life. It wasn’t until the age of 16 that he finally started shooting bands and artists, mushed in a local music scene that was packed with small venues and musicians trying to become the new real big thing. So instead of paying five dollars to be able to attend those gigs, Heaton decided to simply offer the bands his skills as a photographer. And back then, in an era when the internet had just started to flourish and MySpace had become the coolest platform on earth, having a few nice pictures on your band‘s page was definitely worth more than five small dollars.

.

.

But it wasn’t until 2012 that Heaton finally met Twenty One Pilots – the band that would later lead him to a level of popularity and fame that only some of us can call their own. After Mark Eshleman, the band’s creative director and childhood friend of frontman Tyler Joseph, had introduced them, Heaton went on to shoot more and more of their shows, until he finally became their official photographer in 2016, which he still is today. Suddenly, he had gone from being a guy with a mediocre camera shooting his favourite bands from somewhere in the back of the pit to being the exclusive music photographer of the biggest bands of our time and one of the most admired artists today. There is only one thing that hasn’t changed – he’s still shooting his favourite bands. “I’ve always lived by the motto ‘you’re a photographer, not a fan’, just so I don’t distract myself with the celebrity status. But music is a different story entirely. I’ll get lost in the environment of a concert, but still do my job. That’s why I’m there.”

.

But in an industry that is nearly overflowing with talent and people trying to make it, sticking out of the crowd and making it to the top hasn’t been easy, but it seems like Heaton has achieved the one thing so many of us strive to get to – he has found his own voice in a world that is nearly deafening and has turned his photographic style into his trademark. He has made it, he has become one of the special ones. But obviously, that didn‘t come on its own.

.

.

“I have never considered myself strictly a concert photographer. I’ve been well-rounded with photography since the day I picked up a camera. I started with darkroom and film photography, worked as a sports photographer, done studio work for some major brands, spent weeks studying light and compositions from films, created conceptual stories and narrative tales through photographs. I like to treat every single concert like it’s a sporting event. The shots of the players standing around are cool, but the photographs of the player making a diving stop at third base and tossing out the runner at first is the one that’s going to make the front page,”, explains Heaton while talking about what makes his shots so special, “I do my best to do something different at every concert. The more unique perspectives you’re able to tackle, the more your work is going to stand out.”

.

And truly, as crazy as it might seem, for Heaton, the shows can turn into sporting events really quickly. “During shows I think I run around 12,000 steps according to my iPhone. Add the weight of the cameras and it‘s quite a workout.”

.

not my picture; credits to Brad Heaton

.

The one thing that has made Heaton’s work shine like a bright star on a clear night’s sky is the closeness he has developed to the fans, and especially the clique. More often than not, the crowds and fans have turned into the photographer’s favourite objects to turn his lens to, which has sparked many different reactions and slowly turned into great story material: “If I‘m taking a photo of a fan, they see my camera, then completely freeze up and awkwardly smile. I think some of the most genuine photos are the ones where I can catch a fan completely enamoured by the show.” This is one of the reasons why his photos have become something like infamous artworks among the members of the clique and are lining the walls or radiating from thousands of phone screens of devoted Twenty One Pilots fans.

.

It‘s this mix of passion for photography, love for music and a huge amount of talent that has made Brad Heaton the popular, sought-after photographer that he is now, while he still stays the grounded, open person he has always been. Together with Twenty One Pilots, he has created photos that should rather be considered pieces of art and have become prime examples of the magic music photography can entail.

“Rock with Horns”

Hola everyone.

Looks like we’ve reached another Friday yet again. To be honest, I’m surprised I still know what day it is. They seem to blend into each other the past weeks. But here I am once again, sitting in front of my laptop, thinking about what to write about today. And I know it might not sound like that, but this simple act of typing something up to share with you guys is one of the things that have been keeping me afloat. It gives me a sense of structure and responsibility. I might not be able to the cinema or meet my friends, but I’m still able to talk to all of you and I can’t even put into words how much I appreciate that. So here I am, once again.

.

Okay, and now let’s talk business. I know I’ve hinted at it already a few weeks ago, but today the time has finally come for me to share the fantastic interview I did with the uber-amazing band HUNNY. If you’ve been following me and my blog for a while, you will probably already know who these very special boys are. In a nutshell – they make crazy good music, I was super excited to finally meet them and you should definitely read the interview and then give them a listen. You won’t regret it, I promise. And so, without further ado, here’s our little chat. I hope you enjoy it.

“Rock with Horns”

.

Going to a concert of the Californian band HUNNY is a very special experience. They meet all the criteria for the perfect indie band: charismatic with a touch of rogue, a frontman who turns the stage into his dance floor, a flawless shredder on the guitar, a synth magician, and a funky bass player. That’s why it’s fairly easy to be obsessed with HUNNY, consisting of Jason Yarger (vocals), Jake Goldstein (guitar), Joey Anderson (drums) and Kevin Grimmett (bass, keyboards) – these LA rockers are absolute favorites: young, passionate and full of sugar. I met the humorous guys for an interview before their sold-out show at Shepherd’s Bush in London and talked to them about their current tour, the production of their newest album, and the fight for authenticity in the music business.

.

How did your band start off?

Jake: Same old story. Some old story. We’ve just all known each other forever. Jason and I lived together in a house and then everybody started to come to us and hang out and then this band happened.

Joey: Pretty boring origin story. Nobody got bitten by a radioactive spider or anything.

.

How would you describe your band to someone who doesn’t know you?

Kevin: If you mean an older person, like a boomer, then we’re a rock band, they wouldn’t understand anything else. But when we’re talking to someone who knows what we’re about, we do alternative rock.

Jason: I don’t like that one though. It’s so broad to say that. I never know how to describe us.

Jake: We make rock with horns.

.

What do you dislike most about your job and what do you love most?

Jake: The industry behind music sucks. But that’s also the thing that allows us to play shows like tonight. Venues are only open because people buy tickets and drinks and come to concerts. That is also the catch 22. I wish every show could be five pounds, but unfortunately, that wouldn’t work.

Jason: Speaking of catch 22, tour is the worst and best part. It’s tough, but it’s also the greatest time. When we played a small gig recently, there were two girls from Japan at the show who go to school here in London. So they came from Japan and are here in England and we are also here and we are all very far from home and connected by this one thing, by the music. That’s really cool.

.

How does your production process work?

Jason: Basically, we sit around the laptop and play around with melodies and rhythms until it sounds cool. We don’t really jam with all our instruments in one room, because then everyone just worries about what they do personally. Because you feel like you have to add something even if the song doesn’t need it. That’s why we prefer to sit together and talk about what we have to add to a track instead of everyone doing something just to do something.

.

From your album cover to your merch, everything you do looks really nice. I assume aesthetics mean a lot to you?

Jake: Yeah, we have a hand in pretty much everything. Jason designs our merch and album art and in general, we talk about our visuals a lot. It’s definitely something we actively talk about and think about.

Me: Do you think that will ever change?

Jason: I’m too much of an asshole to let anybody else make any of our art for us. So probably not. I have a very tight grip on things sometimes.

Joey: He rules with an iron fist.

.

What does the contact to your fans mean to you?

Jake: That’s the most important thing. It’s our favourite ethos – we come from loving DIY bands and punk bands, where the whole idea is the connection of the fans being a part of the greater thing that is the band. The fact that they have such a strong bond with our music and want to share their art and ideas with us means that they are as invested in the band as we are, if not even more. That means a lot to us.

.

How do you try to stand out from the endless mass of bands?

Jason: I think we try by not trying. As lame as that may sound.

Joey: Being genuinely ourselves is going to make us stand out. Trying to be anything else will only make us look like doofuses.

Jake: Absolutely true. Those are the things in music that cut through right now. Things that feel genuine, that are authentic, that’s all people want. To know that something is real.

.

What does music mean to you?

Kevin: I think it’s everything. It’s style, the way you act, everything.

Jason: Music took over my life when I was ten years old. It’s quite literally absolutely everything in my entire life right now. I was up on a night drive with our tour manager in the states a while ago and we were talking about how insane it is that some people are not like that. Obviously, everybody is different but it’s so crazy that it’s literally the only thing I can think about. It’s made me homeless and happy and depressed and everything in my entire life revolves around it.

Jake: It has to mean a lot to you to give it a go like we are.

Jason: Tell Rolling Stone my last words were I dig music.

.

.

HUNNY’s new album “Yes. Yes. Yes. Yes. Yes” is available everywhere now. In short – you should definitely give these guys a listen right now – here are their Spotify and Instagram accounts -, they’re too good to miss out on them. And until then, I hope you all enjoyed this interview and wish you all a fantastic weekend. I hope you’re all doing good and getting through the quarantine okay. We’ll get through this together, I promise. If any of you need to talk, I’m here. And, as always, I’m sending you all the tightest hugs and thanks for reading. x

‘Sadboy Guitar Bangerz with too many soloz’

Hola everyone.

And welcome back to my blog and another Friday – not really a New Music Friday, but something more exciting than that. Here in Austria, I can slowly start to see the finish line of our quarantine and maybe it’s because of that or maybe because I’m sitting outside, enjoying the glistening sunshine and some fantastic music playing the background, but I’m feeling a lot better than I was a few days ago. I’m already imagining how we’ll talk about this crap of a spring in a few years. The time we couldn’t go outside anymore and hugs were illegal. Crazy times.

.

But speaking of fantastic music – today’s a very good day for music. Specifically for the phenomenal indie band Peach Pit, who just released their new album today – it’s a banger – and who I got to interview a few days ago. And I couldn’t be any more excited to share the finished article with you guys. Please enjoy. And please go and give the guys a listen. They’re honestly so good. And the album is literally the perfect addition to any playlist. And we’re all in need of some great music right now, aren’t we?

.

‘Sadboy Guitar Bangerz with too many soloz’

.

It’s safe to say that 2020 has already been one hell of a year, and while that’s not necessarily a positive sentiment for a lot of people, for the members of Vancouver-based band Peach Pit, it’s been an unforgettable year for all the right reasons, with their newest album “You and Your Friends” just having been released. Intense, fun and with the warm breeze of a day at the beach, the album makes a perfect addition to any quarantine playlist. And it’s true – Peach Pit is the type of band whose music is always, and without fail, good, with their second full-length effort being no exception. To celebrate their special release, I got to chat with lead vocalist Neil Smith about the early beginnings of his band, the importance of teeth and their plans for when we all finally get to leave our rooms again.

.

Let’s start right at the beginning – how did this band start off?

Well, our guitarist Chris and I met in high school, but him and our bassist Peter actually go all the way back to kindergarten. The four of us didn’t really become friends though until we were in our early twenties. That’s when we all connected and actually became good pals.

Did you think you’d end up where you are now back then?

We were always hopeful, which is how you have to be when you start out trying to make music. But no, it’s hard to believe how far we’ve come since playing in Chris’ dad’s basement 5 years ago.

What do you enjoy most about being a band? What do you dislike most?

Getting to tour all over the world and have fans in every city wanting to see you play is very surreal. That’s probably my favourite. And my least favourite is being stuck in the van with Mikey when he starts to feel cooped up. He goes crazy sometimes and just starts playing his drum machine super loudly to annoy us. It sucks!

Looking back on your career so far – what is your favourite memory?

Probably playing our last big hometown show in Vancouver. It was on Halloween and at a big theatre that has always been on our bucket list to play. All of our family and friends were there and we dressed up in full KISS costumes. It was sick pretending to be Gene Simmons for a night.

How would you describe your band to someone who didn’t know you?

Sadboy Guitar Bangerz with too many soloz!

I read you like to describe your sound as “chewed bubblegum pop” – could you explain the meaning behind that?

We only said that because people always ask what kind of music we play, and because Indie music steals from rock and pop and more down tempo stuff it can be hard to pick which “genre” you belong to.

What was the process of producing and creating your new album like?

The writing portion was pretty challenging, we all spent a lot of time in our rehearsal space and I spent a ton of time at home alone trying to write songs last year. The recording of the record was the best though. We got to work with John Congelton and we hit it off immediately with him. He’s one of the funniest and most fun guys to have to hang around for weeks on end. I hope we can record another album with him in the future.

Do you follow a certain formula when you write your songs or is the process different every time?

Yes. Usually I come up with either the song title or the first line of the song and write it down in my notebook. Then I try and come up with a chord progression that I like and add a melody and lyrics to it. Once the song is done being written, then I bring it to band practice and the guys and I mess around with it until we’re happy with all the parts and the arrangement. The song generally changes a lot from when it’s just me at home to the full band playing it.

Why are teeth so central in your new album?

Because their highly underrated, how hard would eating be without them!

What is your favourite track of the album and why?

My favourite has changed a lot since we finished recording the album. But right now, it’s probably a two-way tie between Brian’s Movie and Your Teeth. With Brian’s Movie, I really like that Chris is playing a 12-string guitar with a slide (he’s never done that before) and Your Teeth I just really love the melody, it’s kind of creepy but also sad and pretty.

What has been your most enjoyable song to write so far and why? What’s your favourite song to play?

Shampoo bottles was written really fast, like in two days which is way shorter than normal. I love when a song just falls out of you super easy. And my favourite to play would be Brian’s Movie, I just can’t get enough of that 12 string.

How do you try to stand out of the crowd?

We just try to be ourselves as much as possible. I think people can sense when you’re being fake so you might as well avoid trying to be something that you are not. This would be my strongest piece of advice to any young bands starting out.

What are your plans for the future, after all of this is finally over?

Well once all this shit dies down we’ll be able to get our touring schedule back on track. We were so excited for this spring but unfortunately staying at home is the most important thing we can do right now. So, in the meantime we’ll just be on Instagram live as much as possible. Please tune in.

What does music mean to you?

It means everything to me. Besides my family and friends, it’s the most important thing. Not only is it our livelihood but it’s just our favourite way to spend our time. Being able to pick up a guitar and entertain myself while being stuck inside has been a huge blessing.

.

Peach Pit’s latest album “You and Your Friends” is now available in stores and on all download and streaming platforms. 

.

.

And there you go, guys. I hope you enjoyed the interview. Please do go and give Peach Pit and their new album a listen – it’s uber fantastic, it truly is. And just so much fun to listen to. And besides that, I hope you’re all doing good and not going too insane at home and wish you all a lovely weekend. And, as always, thanks for reading. x

The Sounds of Heaven

Hola everyone.

And welcome back to my blog and also with that to another week. I hope the last week and weekend have been great and that you’re doing good. First of all, I need to apologise for not posting anything the past week. I was quite busy the last few days – good busy, not bad busy, thank god – and could unfortunately never find the right time to actually sit down and write something, although ever since Saturday the 19th – the one two weeks ago – I’ve had one post fully planned out. This one you’re reading right now, to be exact. And it’s a special one, I can tell you that. Because today, and finally, I have the honour of telling you everything about the very beautiful, super mesmerizing and absolutely unbelievable Amber Run gig I had the chance to attend. It was incredible. I can’t wait for you to read this.

..

Okay, so, first of all, the whole adventure started off with me – and buckle up for this – actually getting to interview these lovely guys from this incredible band. Joe, Henry, and Tom. The fantastic trio. And the ultimate reason for one of the most phenomenal days/evenings/nights of my entire life. I’m not gonna go into much detail about the whole interview, as all the gossip and stuff isn’t really my thing, but I do want to say that they were the nicest guys ever and that I still feel so incredibly honoured to have got the chance to meet them. I’ll definitely never ever forget it. And with that, it is also my pleasure to share the finished feature I wrote about our whole chat with you guys. So, if you want to check that out, please just click here and enjoy. Also, please don’t hesitate to tell me your thoughts if you do check it out. I appreciate any kind of feedback. Thank youuuu.

..

So, yeah, that was kind of the first part of the absolute madness that was that day. And I had every intention to fully enjoy every second of it. After the super lovely interview, I then obviously had to stay at the venue – the Roundhouse in London – in order to get to the front for the gig. You might think now that it could be a bit weird to be there as a journalist at first and then end up in the front row for the gig, but, in all honesty, I had waited for that gig for a long time and besides that, I’m also short, so it’s either the front or seats for me. And in that case, it had to be the front. Which I actually managed to get – I mean, it was second row, but let’s not be that strict, right -, which I’m still kind of proud of. I know, I know, I was one of the first people to actually get to the venue, so where else would I be, but still. I’m proud.

..

After quite some time of waiting outside and then inside, which mainly consisted of me sitting on the cold floor and fangirling about the interview with my friend, it was finally time for the support band – Stereo Honey – to come on stage and then, after them, Amber Run. I can’t even put into words how excited I was. Even after having spent quite some time with them chatting while being sat in a tiny room, it was still so incredible to see them on stage. Maybe also because it was my first time of seeing them live. Either way, if anyone ever looked professional and at ease with what they’re doing, it was definitely them. And I truly, truly loved that. You know, whenever a band is on stage, playing live, and really shows and lets the crowd know that they are enjoying the moment just as much as the people attending the gig, the whole thing levels up by about a hundred for me. It just completely changes the overall dynamic in the room when the artists are as happy as the crowd. And that’s why it matters so much to me. I want the band or the artist to be happy. Just as happy as I am in that moment. And I think, on that particular Saturday, the whole room was definitely just one big heap of happiness (and maybe a bit of melancholic sadness in-between, depending on the song they were playing).

..

Out of the whole one and a half hours, there were quite a few highlights, which I do have to talk about because I simply can’t help myself. The first one definitely has to be finally getting to hear ‘Amen’ and ‘I Found’ live. I cried during both of them. Both kinda broke my heart – ‘Amen’ a tad more simply because of its story and existence in general (or how Joe put it – it was peak emo). And both were an experience that I could only describe as heavenly and otherworldly. I mean, the whole gig in itself felt like a trip to heaven for a few reasons. For once, there’s Joe’s voice. If you don’t know how it sounds, please go and check it out now, because I simply have no words to describe how beautiful it is. Then there’s the fantastic band. And last but not least, there were the moments I will forever cherish when all three of them – Joe, Henry (their keyboardist) and Tom (their bassist) – sang together. I can’t even describe what their voices combined sounded like. Heaven. They sounded like heaven. And they made me feel like I was in heaven.

.

Besides that, there was also this very cute moment when they started playing ‘What Could Be As Lonely’, which is one of my absolute favourites and also funnily enough one of theirs as well, and Henry, who was right in front of me, and I had this very fun moment of complete understanding and excitement. The story to that is that we had discussed the song during the interview and at the end they had said that they would make sure to play the song. So, when they played it, Henry looked at me with that look of “AHA! There you go.” on his face and I just laughed at him and gave him two thumbs up. It was such a sweet moment, honestly. Actually having a real interaction with the band during the gig is literally one of the best things ever.

.

And last but not least I have to mention the moment when all the crying on my behalf started, which was when they played ‘Affection’. I mean, this one has always had a special place in my heart as it was the first song I heard of their newest album, but what made it all even more incredible was that they actually had the singer of Stereo Honey come up on stage to perform the song with them. Have any of you guys ever had to cry because something was too beautiful to cope? Because that was exactly what happened to me while I was listening to them and watching them. It was just so damn beautiful. And wholesome. And cute. It was simply perfect.

.

Actually, that’s what I would call the whole day/night overall. It was nothing short of perfection. As soon as the gig had ended, I fell in this kind of trance. It had really been this good. I felt like I was on a cloud or something. And I know this might sound super crazy now, but out of the over 170 artists I’ve seen live over the course of my whole life, that band and that gig definitely earned a spot in my top 10. And that’s really saying something. I’m easily excited and interested, but not like that. Amber Run did more than just excite and interest me. So much more.

.

Also, absolute probs to their whole team and especially their stage and light designers, because, heck, what a show. I mean, just take a look at the pics down below. How beautiful does that look? With the colours and the sign and just everything. So pretty.

.

.

So, overall, that Saturday, that interview, that gig and Amber Run created something magical that I had never experienced before and I will forever be grateful for that and cherish every single moment. If any of you guys ever get the chance to see these incredible guys live, please please please do yourself a favour and go to the show. Even if you don’t know their music. Trust me, you’ll love them. And obviously, checking them out on Spotify is a must as well. And until then, I can only hope that you enjoyed reading about this magical, heavenly day/night that I got to experience. I’m utterly happy that I got to share it with you and I can’t wait to hear all your opinions. And as always, I wish you all an amazing week and, of course, thanks for reading. x

‘I passed my goal a long time ago’

Hola everyone.

And welcome back to my blog and a new week. I hope you’ve all had an amazing weekend and that you’re doing well.

.

Today, I’ve got to share something very very special with you, guys. Something I haven’t really discussed with you in the past. I’m of course talking about the interview I did with the one and only Lewis Capaldi. And yes, I really mean THE Lewis Capaldi. The Scottish dude who’s currently at number 1 with his debut album and who recently sold out his tour in the UK within a few minutes. That guy, yes.

.

Some of you might remember that I briefly mentioned going to his concerts in Brighton and London and meeting him in the past (here’s the link if you want to check that one out), but I’ve never really talked about the interview itself. Which, in all honesty, I don’t even want to do, because it doesn’t feel right in any way. The opposite of professional, actually. But now that some time has passed, I thought it would be nice to finally share the finished piece I wrote about the interview with you.

.

But before you jump right into it, I want to add one thing: The interview I did with Lewis was my very first big one with a musician and even though it’s been about 8 months since I met him, I still can’t wrap my head around it. It still feels like a dream. Because, I mean, it’s Lewis freaking Capaldi. The guy I’m confidently calling the next Ed Sheeran. And I literally sat in a room with him, chatting for about 45 minutes, cracking jokes, the whole deal. Absolutely unbelievable. I’ll never ever forget how nicely he and his whole team treated me. It was my first step into an industry I’m hoping to become a full member of in the future and they all treated me like I had been part of the team for years. I can’t put my feeling of gratitude into words. I’ll never ever forget that interview. Never.

.

So, and now that you know that, I’m proud to finally share my Q&A with Lewis with you. It was definitely one of the funniest, nicest and most interesting interviews I’ve ever done and if you haven’t become a fan of this guy until now, you really need to ceck out his new album ‘Divinely Uninspired to a Hellish Extent‘ and become one immediately. He really deserves all the attention he’s been receiving and so much more. He’s really a one-of-a-kind artist, especially once you get to see his Instagram and Twitter pages and experience his humour. And just so you’ve got an idea of what I mean – on his Wikipedia page it says that he plays ‘sunglasses’ for an instrument. Lewis, we all know you wrote that, just admit it. And, on another note, his twitter name is Lewis Crapaldi, because some hater called him that and he loved it so much, so he quickly turned it into his own joke. Yep, that’s Lewis. You just gotta love him.

.

And now, without further ado, please enjoy the article down below. And, as always, please don’t hesitate to leave your thoughts and comments down below. I’d love to know what you think. Until then I wish you all a fantastic week and, of course, thanks for reading. x

.

‘I passed my goal a long time ago’

.

At the young age of twenty-two, Lewis Capaldi’s career couldn’t be more fairy-tale-like. Within less than two years the Scottish singer-songwriter went from singing in karaoke bars and self-releasing his heart-wrenching debut track ‘Bruises’ to supporting the likes of Sam Smith and Rag’n’Bone Man and selling out one tour after another.

.

I caught up with Lewis before his sold-out show at London’s Shepherds Bush Empire to talk about his most recent experiences with success, staying true to himself in the age of social media and handling all the attention he’s been receiving.

. 

A few years ago, did you think you would end up where you are now?

No. I mean, I was kind of always doing this, but I didn’t think I would be doing it to this level. I did think I would be playing music, but my goal was to play 350 capacity rooms around the UK and, if I was lucky, 100 capacity rooms in Europe. And not even to necessarily play my own songs. I just wanted to play music and be able to make money off it. And so far it’s been very nice, but to be playing shows this size is a very weird thing. To have someone come to my room to ask me questions and write down what I’m saying so people can read it is a very weird thing. And having people outside in the queue know who I am is very weird. And it can all go away very fast. I’m not saying I would be okay with it, but if it did go away, I would still be playing music. I passed my goal a long time ago.

.

That must feel pretty amazing, right?

I’m pleased with it. But I’m sure we’ve all done amazing things, but have been too close to them to realize how amazing they are. That’s when you need to take a step back and go ‘oh, that is kind of amazing’. Sometimes I’m really bugged down about things going wrong. I think, as people, we are kind of drawn to focus on the things that go wrong rather than the things that go right.

.

Why did you start your career by releasing your music yourself?

Nobody wanted to sign me. *laughs* I’m joking. I just think the first thing you release should come from you. If you want your first piece to be exactly how you want it to be and how you see it, you should release it yourself.

.

Sounds like music means a lot to you…

I approach it as I approach everything else – I don’t take it too seriously. If I’m having a shit time and I write a song about it, I’m able to work through it, but it’s not like therapy. I don’t agree with people who say it is. But being able to look at things from that angle and seeing they aren’t necessarily as bad as they seem is good. Sometimes a good song comes from a bad thing. But I don’t want to put too much weight on things, even with music. It feels more like an old, familiar friend.

.

Which part of being a musician do you enjoy the most and is there something you hate?

I love playing live, that’s the main thing. That’s where I came from, that’s why I’ve done most of it. I’ve played live more than anything else. But I fucking hate being in the studio. It’s the most boring fucking thing ever. And I don’t know if that comes across in my music, but it’s just so tedious. Not so much being there with a producer and coming up with ideas, that’s fun. But the actual recording of the vocal is the fucking most boring fucking thing you’ll ever do in your life. For me, I record music so I can go and play it live.

.

And what about interacting with your fans?

Again, this is a very weird job. So having lots of human interaction online and during the shows is very important to me. And I mean, how often are you sat in your room, just randomly scrolling through Facebook and Twitter, bored out of your fucking mind? And I can just go and talk to people. It makes me feel more normal about everything. Suddenly it isn’t just a big, faceless crowd. And also, it can probably make someone’s day, so if I can make someone feel good, that’s just fucking sick.

.

Speaking of the internet – how do you stay true to yourself in the age of social media?

So many singers nowadays are very careful about what they do online. And I think, if you’re not a horrible person, you don’t really have to be careful. I was like this at the beginning, but I don’t want to not be myself because of that. I think it’s a hard thing to do for a lot of singers. But, again, this is a very weird job. The fact that so many people follow me on Instagram is a fucking weird thing. But you know what, it’s not that weird if you just ignore the fact that it’s weird. When I was growing up, I would have liked people to just be themselves as much as they can. That’s why, in the past, I always used to say: ‘if you don’t like a chubby guy singing sad songs you’ve come to the wrong fucking place’.

.

Also published in: The Sun & Brighton Life Magazine

Interview with Saint Raymond

Hola everyone.

And welcome back to my blog. I’m sorry for being gone for so long, but I hope you’ve all had a great time and that you’re doing well. I know at the end of my last post I said that I’d be coming back with a huge post about Avengers: Endgame, but, honestly, it’s been over a week since I saw it and I still haven’t been able to fully process it. My plan now is to watch Infinity War and then see Endgame again straight the day after, so I can really say which one I prefer. And then I want to put all my thoughts, emotions and opinions into one long, deserving post for you all to read. Unfortunately, that means it will be packed with spoilers, so I’ll just say it now – if you haven’t seen the movie, don’t read anything about it, don’t ruin it for yourself and just watch it. Also, props to you if you’ve made it this far without coming across spoilers. Well done.

.

So, now that we’ve talked about that, let’s get to the real deal, which is something I’ve been burning to tell you ever since it happened. Some of you might remember the concert review I did of the Saint Raymond show I went to in March (here’s the link if you want to check it out). I absolutely loved the show, but I didn’t tell you everything that happened on that day. So, here comes the crazy part: I didn’t just go to the concert, I actually met up with Callum (Saint Raymond) before his show in Brighton to do a little interview with him. I know, I know. Holy moly. I still haven’t been able to wrap my head around it either. And oh wow, it was such a lovely interview. I felt so welcome and it was just so chill and nice. And Callum was absolutely fantastic as well. Definitely one of those hours of my life that I’ll never ever forget. And I’m so happy that I finally get to share the piece I wrote about it for my university magazine with you. I really hope you enjoy it. Also, please don’t forget to show Callum some love (here’s the link to his Spotify and his website), he really deserves it. And, as always, please don’t hesitate to leave your thoughts down below and thanks for reading. x

 

‘It’s a show-off world’

Nottingham born and bred Callum Burrows, aka singer-songwriter Saint Raymond, exploded on to the music scene in 2013 with his EP release ‘Escapade’. Following that the young artist not only went on to open for some of the biggest names in music, but also toured festivals including Glastonbury, right before releasing his No. 1 debut album. After a short hiatus, the singer is now ready to go bigger than ever. I met up with Callum at Patterns in Brighton before his show to chat about standing your ground in the music industry, crime-podcasts and supporting music-star Ed Sheeran.

.

Did you ever expect to end up where you are now?

No, not at all. Obviously I hoped I would, but I never thought I’d be doing music as a career. I never expected it to get to a point where I get to do it for a living. Which is still weird for me to say, because I think I sometimes take it for granted. Like with anything, you have your highs and lows and I often forget that music is my job. Which is pretty cool. Ten years on, still get to play shows. It’s crazy.

.

What is the one memory you will never forget?

There was this special moment when I played a hometown show in Nottingham, at Rock City. I actually played it three times, but that first gig was an unreal experience, because I had grown up going to gigs there. And suddenly people were queuing to see me and I just thought ‘what the hell is going on?’. So, that will always live long in my memory. And besides that, the tour with Ed was super crazy as well.

.

Speaking of that – how did you get to support him?

I met him through a mutual friend and then ended up going to his birthday party, where we had a chat. And then, about a month later, he just texted me out of the blue saying ‘hey man, do you want to go on tour?’. I couldn’t believe it. I actually kept it a secret from my band until the official announcement. I just told them that we would be going on tour in October. That really was an amazing experience, which I’ll be forever grateful for.

.

Looking back on all your songs – what’s your favourite one?

That would probably be ‘As We Are Now’, because it meant so much to me at the time. I wrote it when I was kind of hoping to do music for a career, but I wasn’t sure that I was going to. All of my friends had gone to university, so they knew what they were going to do for their jobs after. But I was just in this period where I wasn’t a kid anymore and had to take some responsibility. So that one will always be a special one.

.

Is that why you released two versions of it?

Yes, that was a mad decision, to make the fast version. I don’t want to bitch too much, but I prefer the slow one. You know, there are a lot of things that happen with music, especially when you’ve got a big team around you, where decisions just get made that aren’t always the right ones. Or not solely what you want. But it’s hard when a lot of people are throwing in their opinions, because, at first, you know what you want, but then you get a bit lost in it. So that’s what I’ve learned over the last few years, to stand my ground a bit more and go for what I believe in. I was very young when I made that first record, it was a big learning curve.

.

What’s another part that you had to get used to?

Definitely social media. I think Twitter is such an important tool as an artist, but I struggle to use it to its full capacity. It’s easier now when I’m on tour because I can talk about that, but it’s really hard to interact when you’re not doing those things. At least for me. I know some other people who are amazing at it, like Lewis Capaldi. He’s got it nailed down. But then again, right now, there are a lot of people in the industry trying to copy that. And that’s when you look like an idiot. Because you’re trying to be someone you’re not. Which is mad. Especially now with the whole Instagram world, I think it’s so important to be who you are on social media. It drives me crazy how people are living a life that isn’t real. It’s a show-off world.

.

How about using Twitter and Co. to connect with your fans?

Oh yeah, I think it’s so important to interact with them. Before social media, bands were untouchable. You couldn’t access them unless you went to a show or met them somewhere, whereas now you can genuinely have a chat with anyone. You can literally send a message to the president of America, not that you would want to. But that’s how the internet works now. And I think sometimes people forget that if it wasn’t for the fans, they wouldn’t be doing what they’re doing. Because who would buy the tickets, the t-shirts, the albums? They start to think they are on a platform above them. Which isn’t true. That’s why, after every show and not just on social media, I’ll always try to come out and talk to people. I mean, them coming to the show means that I get to do in in the first place, so why shouldn’t I?

.

And would you call yourself a fan of someone as well?

Of course. Loads of people. But my biggest inspiration right now has to be Ariana Grande. I once saw her perform live at this charity event in Central Park in New York. She came on stage with Coldplay and, until today, it’s the best live vocal I’ve ever heard. The whole day overall was just absolutely crazy. I stepped on Jay-Z’s foot by accident and then met Leonardo DiCaprio. Weirdest day of my life. And besides that, I’m a huge fan of murder podcasts. They’re my jam.