Hola everyone.
And welcome back to my blog and a new week. I hope you’ve all had an amazing weekend and that you’re doing well.
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Today, I’ve got to share something very very special with you, guys. Something I haven’t really discussed with you in the past. I’m of course talking about the interview I did with the one and only Lewis Capaldi. And yes, I really mean THE Lewis Capaldi. The Scottish dude who’s currently at number 1 with his debut album and who recently sold out his tour in the UK within a few minutes. That guy, yes.
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Some of you might remember that I briefly mentioned going to his concerts in Brighton and London and meeting him in the past (here’s the link if you want to check that one out), but I’ve never really talked about the interview itself. Which, in all honesty, I don’t even want to do, because it doesn’t feel right in any way. The opposite of professional, actually. But now that some time has passed, I thought it would be nice to finally share the finished piece I wrote about the interview with you.
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But before you jump right into it, I want to add one thing: The interview I did with Lewis was my very first big one with a musician and even though it’s been about 8 months since I met him, I still can’t wrap my head around it. It still feels like a dream. Because, I mean, it’s Lewis freaking Capaldi. The guy I’m confidently calling the next Ed Sheeran. And I literally sat in a room with him, chatting for about 45 minutes, cracking jokes, the whole deal. Absolutely unbelievable. I’ll never ever forget how nicely he and his whole team treated me. It was my first step into an industry I’m hoping to become a full member of in the future and they all treated me like I had been part of the team for years. I can’t put my feeling of gratitude into words. I’ll never ever forget that interview. Never.
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So, and now that you know that, I’m proud to finally share my Q&A with Lewis with you. It was definitely one of the funniest, nicest and most interesting interviews I’ve ever done and if you haven’t become a fan of this guy until now, you really need to ceck out his new album ‘Divinely Uninspired to a Hellish Extent‘ and become one immediately. He really deserves all the attention he’s been receiving and so much more. He’s really a one-of-a-kind artist, especially once you get to see his Instagram and Twitter pages and experience his humour. And just so you’ve got an idea of what I mean – on his Wikipedia page it says that he plays ‘sunglasses’ for an instrument. Lewis, we all know you wrote that, just admit it. And, on another note, his twitter name is Lewis Crapaldi, because some hater called him that and he loved it so much, so he quickly turned it into his own joke. Yep, that’s Lewis. You just gotta love him.
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And now, without further ado, please enjoy the article down below. And, as always, please don’t hesitate to leave your thoughts and comments down below. I’d love to know what you think. Until then I wish you all a fantastic week and, of course, thanks for reading. x
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‘I passed my goal a long time ago’
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At the young age of twenty-two, Lewis Capaldi’s career couldn’t be more fairy-tale-like. Within less than two years the Scottish singer-songwriter went from singing in karaoke bars and self-releasing his heart-wrenching debut track ‘Bruises’ to supporting the likes of Sam Smith and Rag’n’Bone Man and selling out one tour after another.
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I caught up with Lewis before his sold-out show at London’s Shepherds Bush Empire to talk about his most recent experiences with success, staying true to himself in the age of social media and handling all the attention he’s been receiving.
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A few years ago, did you think you would end up where you are now?
No. I mean, I was kind of always doing this, but I didn’t think I would be doing it to this level. I did think I would be playing music, but my goal was to play 350 capacity rooms around the UK and, if I was lucky, 100 capacity rooms in Europe. And not even to necessarily play my own songs. I just wanted to play music and be able to make money off it. And so far it’s been very nice, but to be playing shows this size is a very weird thing. To have someone come to my room to ask me questions and write down what I’m saying so people can read it is a very weird thing. And having people outside in the queue know who I am is very weird. And it can all go away very fast. I’m not saying I would be okay with it, but if it did go away, I would still be playing music. I passed my goal a long time ago.
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That must feel pretty amazing, right?
I’m pleased with it. But I’m sure we’ve all done amazing things, but have been too close to them to realize how amazing they are. That’s when you need to take a step back and go ‘oh, that is kind of amazing’. Sometimes I’m really bugged down about things going wrong. I think, as people, we are kind of drawn to focus on the things that go wrong rather than the things that go right.
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Why did you start your career by releasing your music yourself?
Nobody wanted to sign me. *laughs* I’m joking. I just think the first thing you release should come from you. If you want your first piece to be exactly how you want it to be and how you see it, you should release it yourself.
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Sounds like music means a lot to you…
I approach it as I approach everything else – I don’t take it too seriously. If I’m having a shit time and I write a song about it, I’m able to work through it, but it’s not like therapy. I don’t agree with people who say it is. But being able to look at things from that angle and seeing they aren’t necessarily as bad as they seem is good. Sometimes a good song comes from a bad thing. But I don’t want to put too much weight on things, even with music. It feels more like an old, familiar friend.
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Which part of being a musician do you enjoy the most and is there something you hate?
I love playing live, that’s the main thing. That’s where I came from, that’s why I’ve done most of it. I’ve played live more than anything else. But I fucking hate being in the studio. It’s the most boring fucking thing ever. And I don’t know if that comes across in my music, but it’s just so tedious. Not so much being there with a producer and coming up with ideas, that’s fun. But the actual recording of the vocal is the fucking most boring fucking thing you’ll ever do in your life. For me, I record music so I can go and play it live.
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And what about interacting with your fans?
Again, this is a very weird job. So having lots of human interaction online and during the shows is very important to me. And I mean, how often are you sat in your room, just randomly scrolling through Facebook and Twitter, bored out of your fucking mind? And I can just go and talk to people. It makes me feel more normal about everything. Suddenly it isn’t just a big, faceless crowd. And also, it can probably make someone’s day, so if I can make someone feel good, that’s just fucking sick.
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Speaking of the internet – how do you stay true to yourself in the age of social media?
So many singers nowadays are very careful about what they do online. And I think, if you’re not a horrible person, you don’t really have to be careful. I was like this at the beginning, but I don’t want to not be myself because of that. I think it’s a hard thing to do for a lot of singers. But, again, this is a very weird job. The fact that so many people follow me on Instagram is a fucking weird thing. But you know what, it’s not that weird if you just ignore the fact that it’s weird. When I was growing up, I would have liked people to just be themselves as much as they can. That’s why, in the past, I always used to say: ‘if you don’t like a chubby guy singing sad songs you’ve come to the wrong fucking place’.
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that lemon life 