feature – that lemon life

thatlemonlife presents: LEMON – the magazine

Hola everyone.

How are all my lovely readers doing? Oh my god, it feels like I haven’t been on here and talked to you for ages. I’m so incredibly sorry for the long long silence. You can probably guess why I couldn’t find the time to really post anything… yes, you’re right, good old uni work, innit? But as of Tuesday last week, I am finally free again and also done with my second year at BIMM. Which still sounds so insane to me. I can’t believe I’m already done with my second year and only have one year left to go. Time just flew by, my god.

But actually, now that I’m finally back, uni stopping me from posting anything on here is more fun than anything, as it is also the reason for me coming back and for today’s post. Because as most of you have probably seen from the title of this post, I want to present you with something today that is probably one of the most special and most meaningful projects of mine that I ever got to share with you guys. And it’s all thanks to uni. Never thought I’d ever say that, but here we are. Thanks, BIMM. But let’s not spend more time talking around it, but let’s get right to it. I proudly present to you – my very first own music, arts and lifestyle magazine LEMON. Can you hear me screaming in excitement?

Okay, I know, this is super exciting, and, please believe me, I’m more than on the edge of my seat now that I finally get to share it with you. But first, let me tell you how we got here. As I already mentioned, this is all thanks to my university, which made me fall in love with design and specifically magazine design and now for my end project of our ‘Making Magazines’ course had me design and write a complete 16-pages magazine. I know you’re probably thinking what a crazy and difficult task, but out of all my courses, this was one was definitely the one that I enjoyed the most.

And actually, the whole idea for LEMON began right here, on this very blog. Because in a nutshell, the magazine is a paper version of this very blog – without the sometimes way too personal oversharing and babbling around. From the start, my goal was to translate the feel of this blog, its ambiance, its style, and its fun and passionated character to the magazine and create a paper that is just as sweet, creative, and interesting. Obviously, the look was also just as important and, for me as a perfectionist, also the part I worked on the most and hardest. I think in total I worked on it for about three months, which made it possible for me to create a magazine that I couldn’t be any more proud of. And I even got to include my obsession and love for Twenty One Pilots (I just had to, sorry not sorry). And yes, I’m probably prouder of that than I should be, but I got to put Brad Heaton, the ultimate photographic genius, into the spotlight and my favourite band at the same time and even put Ty on the cover, so I can only see this as the biggest achievement ever.

Overall, creating this mag has probably been one of the most fun things I’ve ever done and I couldn’t be happier to share it with you, so without further ado, here it is. My magazine LEMON. I hope you enjoy it. Or even love it.

Omg, this is just so exciting. I honestly hope you enjoy/enjoyed my magazine. As already mentioned, all the design was done by me and all the articles and pieces you can find on the pages were also written by myself. Unfortunately, Brad wasn’t available for an interview, so I had to use some quotes from past interviews and his reddit q&a for my feature on him, but I don’t think that lessened the quality of the piece in any way. His pictures with their magic and striking beauty are the highlights anyway.

Again, I truly hope you enjoy the mag just as much as I do. This is my first attempt at creating my own magazine and now that I can literally hold it in my hands, it feels like another path for me has opened itself up. It has definitely become a project for me that I want to come back to in the future. Maybe, one day, LEMON will be a real magazine one day and waiting for you to pick it up from the store. How crazy does that sound? Even just the thought makes my tummy fill with butterflies. But until then, here’s the very first version of this super special paper. I’d love to hear your opinions and thoughts, so please don’t hesitate to leave them down below. And, of course, I hope you’re all doing great and feeling well and I wish you all the loveliest week. And as always, thanks for reading. x

‘The definition of ambition’

Hola everyone.

How are we doing today? I hope so far you’ve all had a great week and that your Friday is going great. Today, guys, I have the honour to share something very very very special with you. Some of you might remember that this February, I finally got see one of my favourite bands live – the one and only Hippo Campus (here’s my post about the show – click me). But that wasn’t the most exciting part, oh no. Easily the best part was that, before the show, I also got to interview them. And yes, I know. How crazy is that? I honestly still can’t believe that this really happened. When I think back to it, it feels like I had some kind of weird fever dream and that it was never real. But it was. I really met and talked to them. And they really were the nicest, coolest and most chill people I’ve ever met. I can’t even begin to describe how eternally grateful I am that I really got to do this. What a dream come true.

And, so, now that you know this, you also know what this post is all about. Exactly, the interview. But before you get all excited, no, I don’t mean I’m going to spill the beans of the whole experience. Oh no. Even better. Today, I finally get to share the finished piece I wrote about the interview with you. And trust me, I waited quite a while to be able to say this. But I’m so so so glad the day is finally here. So, without further ado, here’s my feature about one of the best bands ever – Hippo Campus.

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THE DEFINITION OF AMBITION

There comes a point in every band’s existence when the youthful enthusiasm of the early days has to give way to a more sophisticated version of themselves. Formed in 2013, the Minnesota band Hippo Campus was born from a group of high-school friends who were just looking to have a good time. But after releasing their first album, years of touring and gaining popularity, especially in the ranks of indie fans, they suddenly found themselves in a less inspirational atmosphere. They needed a change.

This special desire to shake things up has always been present in the five piece’s music, and their second album ‘Bambi’ is a liberal, maybe darker, more experimental realisation of exactly that. While their debut release ‘Landmark’ was full of bubbly excitement and youthful lightness, they felt driven to change direction and go that little bit deeper. They wanted an honest reflection of themselves. “I think it was mostly reflective of the times. We were all in this weird kind of state. The stress of creating a second album, there’s a lot of pressure on that. And we didn’t want to have that pressure. It’s darker just because of where we were at that time,”, says Whistler Allen, drummer of the indie group.

“Part of that was that we felt chewed up a little bit. You get out of high school and after the first couple of years of touring and after the first album, you experience something that isn’t what you thought it was,” adds Nathan Stocker, lead guitarist of the band and co-writer of most of the Hippo tracks. “People suck sometimes and there’s hurt. The process of maintaining the relationships that actually matter to you and to what you’re doing as a musician, artist or whatever you want to call it, gets really tiring.”

Thus, calling this new era of Hippo Campus “real” would be a strong understatement. As they turned the page to pave the way for ‘Bambi’, the band found freedom in being an open book lyrically, but also personally. “It’s a very vulnerable place to be a songwriter, because it’s like ‘okay, I’m going go outside and use a megaphone to let everybody know what I think and what is going on in my life and feel free to look over my shoulder and hate me or love me’. You’ve got open arms to the world and the audience you have and that’s so scary. Because they can chew you up and spit you out,” Stocker explains and pinpoints the one aspect, the sheer honesty, that gave their newest release a certain feel of relatability. “Really, there’s no reward in it other than making it for the sake of being in that place at all. There’s really no other tangible reward. Even if it resonates with people, it still sucked for me to write.”

It seems that the American band never shies away from acknowledging the fears and emotions of the current generation, actively addressing issues like the #MeToo movement, mental health or toxic masculinity, and using their album to process and accept them at the same time. Whether it be overwhelming worry (‘Anxious’), inescapable self-doubt (‘Mistakes’) or failing relationships (‘Why Even Try’), ‘Bambi’ covers nearly every area when it comes to the highly personal issues the band members had to face. The album fluctuates between blissful calm to vigorous chaos, while the lyrical discomfort fits in with the awkward, socially uncertain times that they were dealing with.

And although it’s a reckless existence, the Minnesota five-piece wouldn’t have it any other way – gig by thrilling gig – their path so far has surpassed even their greatest expectations. Now, it’s even the small issues and tiny stones that stop them in their ways they get excited about. “That’s part of why we love it so much, actually. If you don’t get irritated by little things, then you won’t know that you’re having a ton of fun with your friends every day,” exclaims DeCarlo Jackson, trumpet player and newest addition to the band. Stocker adds, “I’m excited to be irritated by stuff that actually matters. That’s the definition of ambition. It’s tackling problems that actually further us.”

This is where their newest LP comes into play, as where ‘Landmark’ only touched the surface, ‘Bambi’ dives in head first. It’s the new side of music and writing that the band hopes can shine a light on the gap between reality and society’s expectations of constant perfection. Especially at current times, social media and the pressure that comes with it push down on a lot of bands. A pressure Hippo Campus isn’t willing to accept. “Naturally, if you’re not being the most honest version of yourself, there’s nothing else you could be except somebody else. Because if you’re not being you, then you’re definitely trying to marble yourself after someone else. But you know, sometimes we dress up,” Allen insists.

It’s this way of wearing their hearts on their sleeves and being their truest forms that seems to capture their fans. Together, they share this powerful connection that has been there from the start and only gotten stronger through their newest release. “The fans are everything,” Stocker agrees. “They just continue to be unbelievable people, who, for whatever reason, love our music. It’s always really bizarre to interact with them. Because it’s like ‘what have I done to deserves this?’. It’s just really good to feel the love and support and to see they’re real people who are experiencing real things and sharing a space with us. I know it could be a lot more segregated in terms of feeling like we have some superior upper hand to them, but it is pretty communal, on and off stage.”

From the start, always returning to this certain kind of passion and unapologetic honesty, Hippo Campus have looked to create a release that is both enchantingly light and devastatingly dark when it needs to be. While it focuses strongly on issues that clearly mean a lot to the band, the general tone of their newest record is one of optimism, looking for the brief moments of joy in a world with little to spare. And at the end, it’s the sheer love for music that brings them all together and provides the album with its special glow. Stocker concludes: “Music is the most interesting and spiritual example of memory that humans can have, to me. There’s nothing else really that is as fascinatingly metaphysical than the feeling when you listen to a really good song for the first time. For me as a person, there’s no other thing that exists other than memory. In the end, that’s all we have. Our entire progress is based on it, it’s the foundation of life. The fact that we can remember, the fact that I can play my instrument, is entirely based on memory. And music is the prime exemplification and personification of memory. And fin.”

So, there you go, guys. I dearly hope that you enjoyed reading this piece. Also, please do go and check out this band, they really deserve all the attention they are receiving right now and so much more. Here are all their social media handles: Spotify, YouTube and their official website.

As always, please don’t hesitate to leave your comments and thoughts down below and do please get in contact if you’ve got any questions. And until then, I wish you all an amazing weekend and, of course, thanks for reading. x

Interview with Saint Raymond

Hola everyone.

And welcome back to my blog. I’m sorry for being gone for so long, but I hope you’ve all had a great time and that you’re doing well. I know at the end of my last post I said that I’d be coming back with a huge post about Avengers: Endgame, but, honestly, it’s been over a week since I saw it and I still haven’t been able to fully process it. My plan now is to watch Infinity War and then see Endgame again straight the day after, so I can really say which one I prefer. And then I want to put all my thoughts, emotions and opinions into one long, deserving post for you all to read. Unfortunately, that means it will be packed with spoilers, so I’ll just say it now – if you haven’t seen the movie, don’t read anything about it, don’t ruin it for yourself and just watch it. Also, props to you if you’ve made it this far without coming across spoilers. Well done.

So, now that we’ve talked about that, let’s get to the real deal, which is something I’ve been burning to tell you ever since it happened. Some of you might remember the concert review I did of the Saint Raymond show I went to in March (here’s the link if you want to check it out). I absolutely loved the show, but I didn’t tell you everything that happened on that day. So, here comes the crazy part: I didn’t just go to the concert, I actually met up with Callum (Saint Raymond) before his show in Brighton to do a little interview with him. I know, I know. Holy moly. I still haven’t been able to wrap my head around it either. And oh wow, it was such a lovely interview. I felt so welcome and it was just so chill and nice. And Callum was absolutely fantastic as well. Definitely one of those hours of my life that I’ll never ever forget. And I’m so happy that I finally get to share the piece I wrote about it for my university magazine with you. I really hope you enjoy it. Also, please don’t forget to show Callum some love (here’s the link to his Spotify and his website), he really deserves it. And, as always, please don’t hesitate to leave your thoughts down below and thanks for reading. x

‘It’s a show-off world’

Nottingham born and bred Callum Burrows, aka singer-songwriter Saint Raymond, exploded on to the music scene in 2013 with his EP release ‘Escapade’. Following that the young artist not only went on to open for some of the biggest names in music, but also toured festivals including Glastonbury, right before releasing his No. 1 debut album. After a short hiatus, the singer is now ready to go bigger than ever. I met up with Callum at Patterns in Brighton before his show to chat about standing your ground in the music industry, crime-podcasts and supporting music-star Ed Sheeran.

Did you ever expect to end up where you are now?

No, not at all. Obviously I hoped I would, but I never thought I’d be doing music as a career. I never expected it to get to a point where I get to do it for a living. Which is still weird for me to say, because I think I sometimes take it for granted. Like with anything, you have your highs and lows and I often forget that music is my job. Which is pretty cool. Ten years on, still get to play shows. It’s crazy.

What is the one memory you will never forget?

There was this special moment when I played a hometown show in Nottingham, at Rock City. I actually played it three times, but that first gig was an unreal experience, because I had grown up going to gigs there. And suddenly people were queuing to see me and I just thought ‘what the hell is going on?’. So, that will always live long in my memory. And besides that, the tour with Ed was super crazy as well.

Speaking of that – how did you get to support him?

I met him through a mutual friend and then ended up going to his birthday party, where we had a chat. And then, about a month later, he just texted me out of the blue saying ‘hey man, do you want to go on tour?’. I couldn’t believe it. I actually kept it a secret from my band until the official announcement. I just told them that we would be going on tour in October. That really was an amazing experience, which I’ll be forever grateful for.

Looking back on all your songs – what’s your favourite one?

That would probably be ‘As We Are Now’, because it meant so much to me at the time. I wrote it when I was kind of hoping to do music for a career, but I wasn’t sure that I was going to. All of my friends had gone to university, so they knew what they were going to do for their jobs after. But I was just in this period where I wasn’t a kid anymore and had to take some responsibility. So that one will always be a special one.

Is that why you released two versions of it?

Yes, that was a mad decision, to make the fast version. I don’t want to bitch too much, but I prefer the slow one. You know, there are a lot of things that happen with music, especially when you’ve got a big team around you, where decisions just get made that aren’t always the right ones. Or not solely what you want. But it’s hard when a lot of people are throwing in their opinions, because, at first, you know what you want, but then you get a bit lost in it. So that’s what I’ve learned over the last few years, to stand my ground a bit more and go for what I believe in. I was very young when I made that first record, it was a big learning curve.

What’s another part that you had to get used to?

Definitely social media. I think Twitter is such an important tool as an artist, but I struggle to use it to its full capacity. It’s easier now when I’m on tour because I can talk about that, but it’s really hard to interact when you’re not doing those things. At least for me. I know some other people who are amazing at it, like Lewis Capaldi. He’s got it nailed down. But then again, right now, there are a lot of people in the industry trying to copy that. And that’s when you look like an idiot. Because you’re trying to be someone you’re not. Which is mad. Especially now with the whole Instagram world, I think it’s so important to be who you are on social media. It drives me crazy how people are living a life that isn’t real. It’s a show-off world.

How about using Twitter and Co. to connect with your fans?

Oh yeah, I think it’s so important to interact with them. Before social media, bands were untouchable. You couldn’t access them unless you went to a show or met them somewhere, whereas now you can genuinely have a chat with anyone. You can literally send a message to the president of America, not that you would want to. But that’s how the internet works now. And I think sometimes people forget that if it wasn’t for the fans, they wouldn’t be doing what they’re doing. Because who would buy the tickets, the t-shirts, the albums? They start to think they are on a platform above them. Which isn’t true. That’s why, after every show and not just on social media, I’ll always try to come out and talk to people. I mean, them coming to the show means that I get to do in in the first place, so why shouldn’t I?

And would you call yourself a fan of someone as well?

Of course. Loads of people. But my biggest inspiration right now has to be Ariana Grande. I once saw her perform live at this charity event in Central Park in New York. She came on stage with Coldplay and, until today, it’s the best live vocal I’ve ever heard. The whole day overall was just absolutely crazy. I stepped on Jay-Z’s foot by accident and then met Leonardo DiCaprio. Weirdest day of my life. And besides that, I’m a huge fan of murder podcasts. They’re my jam.