Category: Music

“Rock with Horns”

Hola everyone.

Looks like we’ve reached another Friday yet again. To be honest, I’m surprised I still know what day it is. They seem to blend into each other the past weeks. But here I am once again, sitting in front of my laptop, thinking about what to write about today. And I know it might not sound like that, but this simple act of typing something up to share with you guys is one of the things that have been keeping me afloat. It gives me a sense of structure and responsibility. I might not be able to the cinema or meet my friends, but I’m still able to talk to all of you and I can’t even put into words how much I appreciate that. So here I am, once again.

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Okay, and now let’s talk business. I know I’ve hinted at it already a few weeks ago, but today the time has finally come for me to share the fantastic interview I did with the uber-amazing band HUNNY. If you’ve been following me and my blog for a while, you will probably already know who these very special boys are. In a nutshell – they make crazy good music, I was super excited to finally meet them and you should definitely read the interview and then give them a listen. You won’t regret it, I promise. And so, without further ado, here’s our little chat. I hope you enjoy it.

“Rock with Horns”

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Going to a concert of the Californian band HUNNY is a very special experience. They meet all the criteria for the perfect indie band: charismatic with a touch of rogue, a frontman who turns the stage into his dance floor, a flawless shredder on the guitar, a synth magician, and a funky bass player. That’s why it’s fairly easy to be obsessed with HUNNY, consisting of Jason Yarger (vocals), Jake Goldstein (guitar), Joey Anderson (drums) and Kevin Grimmett (bass, keyboards) – these LA rockers are absolute favorites: young, passionate and full of sugar. I met the humorous guys for an interview before their sold-out show at Shepherd’s Bush in London and talked to them about their current tour, the production of their newest album, and the fight for authenticity in the music business.

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How did your band start off?

Jake: Same old story. Some old story. We’ve just all known each other forever. Jason and I lived together in a house and then everybody started to come to us and hang out and then this band happened.

Joey: Pretty boring origin story. Nobody got bitten by a radioactive spider or anything.

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How would you describe your band to someone who doesn’t know you?

Kevin: If you mean an older person, like a boomer, then we’re a rock band, they wouldn’t understand anything else. But when we’re talking to someone who knows what we’re about, we do alternative rock.

Jason: I don’t like that one though. It’s so broad to say that. I never know how to describe us.

Jake: We make rock with horns.

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What do you dislike most about your job and what do you love most?

Jake: The industry behind music sucks. But that’s also the thing that allows us to play shows like tonight. Venues are only open because people buy tickets and drinks and come to concerts. That is also the catch 22. I wish every show could be five pounds, but unfortunately, that wouldn’t work.

Jason: Speaking of catch 22, tour is the worst and best part. It’s tough, but it’s also the greatest time. When we played a small gig recently, there were two girls from Japan at the show who go to school here in London. So they came from Japan and are here in England and we are also here and we are all very far from home and connected by this one thing, by the music. That’s really cool.

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How does your production process work?

Jason: Basically, we sit around the laptop and play around with melodies and rhythms until it sounds cool. We don’t really jam with all our instruments in one room, because then everyone just worries about what they do personally. Because you feel like you have to add something even if the song doesn’t need it. That’s why we prefer to sit together and talk about what we have to add to a track instead of everyone doing something just to do something.

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From your album cover to your merch, everything you do looks really nice. I assume aesthetics mean a lot to you?

Jake: Yeah, we have a hand in pretty much everything. Jason designs our merch and album art and in general, we talk about our visuals a lot. It’s definitely something we actively talk about and think about.

Me: Do you think that will ever change?

Jason: I’m too much of an asshole to let anybody else make any of our art for us. So probably not. I have a very tight grip on things sometimes.

Joey: He rules with an iron fist.

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What does the contact to your fans mean to you?

Jake: That’s the most important thing. It’s our favourite ethos – we come from loving DIY bands and punk bands, where the whole idea is the connection of the fans being a part of the greater thing that is the band. The fact that they have such a strong bond with our music and want to share their art and ideas with us means that they are as invested in the band as we are, if not even more. That means a lot to us.

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How do you try to stand out from the endless mass of bands?

Jason: I think we try by not trying. As lame as that may sound.

Joey: Being genuinely ourselves is going to make us stand out. Trying to be anything else will only make us look like doofuses.

Jake: Absolutely true. Those are the things in music that cut through right now. Things that feel genuine, that are authentic, that’s all people want. To know that something is real.

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What does music mean to you?

Kevin: I think it’s everything. It’s style, the way you act, everything.

Jason: Music took over my life when I was ten years old. It’s quite literally absolutely everything in my entire life right now. I was up on a night drive with our tour manager in the states a while ago and we were talking about how insane it is that some people are not like that. Obviously, everybody is different but it’s so crazy that it’s literally the only thing I can think about. It’s made me homeless and happy and depressed and everything in my entire life revolves around it.

Jake: It has to mean a lot to you to give it a go like we are.

Jason: Tell Rolling Stone my last words were I dig music.

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HUNNY’s new album “Yes. Yes. Yes. Yes. Yes” is available everywhere now. In short – you should definitely give these guys a listen right now – here are their Spotify and Instagram accounts -, they’re too good to miss out on them. And until then, I hope you all enjoyed this interview and wish you all a fantastic weekend. I hope you’re all doing good and getting through the quarantine okay. We’ll get through this together, I promise. If any of you need to talk, I’m here. And, as always, I’m sending you all the tightest hugs and thanks for reading. x

My Level Of Concern

Hola everyone.

And welcome back to my blog. How are you all doing so far? Are you getting through your quarantines okay? Here in Austria, we’re slowly reaching the end of ours, thank god. So far, it’s planned that most shops will reopen next Tuesday, but it all depends on how the numbers will look at that point. I’m hoping for the best, naturally. Maybe they’ll “give” us even more if the numbers are super low. Kinda insane though, when you think about it, isn’t it? We’re all stuck at home, waiting for men in a higher power to finally tell us that we can go out again. Very very freaky. But oh well. We’ll get through this together, right?

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And speaking about quarantines – guess who just saved 2020 for me? Made my day. Made my week. Mady my quarantine. That’s right. My boys. Ty and Josh did it again. Twenty One Pilots resurfaced to save the day. And they did it well because their new song with the title “Level Of Concern” brought smiles and tears not only to my face but those of countless others. The title was trending for hours on Twitter, the single swooped the charts within minutes and right now the uber-cute video has over 4 million clicks on YouTube. That’s what I call taking over the world in a heartbeat.

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It’s not just that the song is absolutely amazing and such a huge surprise as well, but also its backstory makes me incredibly emotional. Apparently, Ty’s mum told him to release a song for the fans in these tough times, to give us something to get our minds off all the negative stuff that’s happening right now and put a smile on our faces. And so Ty went and wrote a song about the time he last felt this lost and isolated. Once again, he dedicated it to his beautiful wife Jenna and turned it into a hopeful, shiny love song. And that’s how “Level Of Concern” came to be. How incredibly cute is that?

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On a personal note, the song really did save me yesterday and really managed to take my mind off things. In a nutshell, it feels like a well-needed hug from my favourite boys. I was actually in the middle of my online class when it got released, so, obviously, I had to leave the “room” for a few minutes. I was lucky, as the teacher had just given us a few minutes to discuss our current projects, so I could disappear without anyone really taking any notice. And then I heard the song and it just changed everything. For those three minutes and a few seconds, I was able to forget everything around me and just be with the guys, back in my comfortable clikkie cloud. The one that I had missed so badly. And after that, funnily enough, I watched the video while being back in “class”. Basically, I watched the video and had a bit of a fangirl freakout live on camera. Apparently, my teacher recorded the whole session for everyone to watch later on. So everyone will be able to watch me have a happy breakdown. Fun stuff. I know, it sounds very strange now, but once you watch the video I’m sure you’ll understand. It’s peak cuteness. Jenna and Ro are in it, glowing as bright as the stars, and Debby has the sweetest scene with Josh.

 

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Also, although the song and the video were released without the boys being cryptic in any way, it still manages to be cryptic, at least a tiny bit. The scenes for the video were all filmed in their homes, their own studios, and they all feature their families and loved ones. But what we also see are the past versions of Twenty One Pilots. Their past eras. Ty is literally wearing the same shirt he wore in, like, 2011. Back when it all started for them. So, while being so simple and sweet, the video and the song still stand for something more. They stand for everything. Another masterpiece, basically. Oh, and let’s not forget that it’s all for a good cause as well, as the parts of the proceeds go to the charity Crew Nation, which is supporting all the people that were supposed to go on tour with various artists now. I can just repeat myself over and over again – I love this band so freaking much.

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To be honest, ever since I heard the song for the first time, nothing much has been of any concern to me. Naturally, I’ve had the song on repeat all day and all night and I’m not even considering changing that. And another thing the song did is that it brought me hope. And an even bigger urge to see Ty and Josh in June. My mum and I still have our tickets for their show in Dublin on the 25th of June. One of 14 shows they’ll be doing this year. And their only headline show. I just have to go. I can’t have that be canceled. I just can’t. And if I can’t be in Dublin, I’ll go to one of those other 13 shows. I will see Twenty One Pilots this year. I swear to god and everything and everyone else. I will see them.

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In the end, I can just highly recommend you listen to this song. It will put a smile on your face, guaranteed. And hey, by listening to it you’ll actually be doing something good as well. I mean, how great is that? It doesn’t get better than this. And until you give it a listen, I’ll be here, blasting it on repeat and waiting to hear your thoughts and opinions and hoping you love it just as much as I do. I even did a photo shoot yesterday, after I had noticed that I was unintentionally dressed in the colours of the single cover – see pictures down below. That’s what I call fan love.

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Again, I hope you enjoy the song and please don’t hesitate to get in touch. And until then, I wish you all a lovely weekend and a happy Easter. Please continue to take care of yourself and others and spread positivity. We’ll get through this. I’m sending you all tight hugs and, as always, thanks for reading. x

‘Sadboy Guitar Bangerz with too many soloz’

Hola everyone.

And welcome back to my blog and another Friday – not really a New Music Friday, but something more exciting than that. Here in Austria, I can slowly start to see the finish line of our quarantine and maybe it’s because of that or maybe because I’m sitting outside, enjoying the glistening sunshine and some fantastic music playing the background, but I’m feeling a lot better than I was a few days ago. I’m already imagining how we’ll talk about this crap of a spring in a few years. The time we couldn’t go outside anymore and hugs were illegal. Crazy times.

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But speaking of fantastic music – today’s a very good day for music. Specifically for the phenomenal indie band Peach Pit, who just released their new album today – it’s a banger – and who I got to interview a few days ago. And I couldn’t be any more excited to share the finished article with you guys. Please enjoy. And please go and give the guys a listen. They’re honestly so good. And the album is literally the perfect addition to any playlist. And we’re all in need of some great music right now, aren’t we?

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‘Sadboy Guitar Bangerz with too many soloz’

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It’s safe to say that 2020 has already been one hell of a year, and while that’s not necessarily a positive sentiment for a lot of people, for the members of Vancouver-based band Peach Pit, it’s been an unforgettable year for all the right reasons, with their newest album “You and Your Friends” just having been released. Intense, fun and with the warm breeze of a day at the beach, the album makes a perfect addition to any quarantine playlist. And it’s true – Peach Pit is the type of band whose music is always, and without fail, good, with their second full-length effort being no exception. To celebrate their special release, I got to chat with lead vocalist Neil Smith about the early beginnings of his band, the importance of teeth and their plans for when we all finally get to leave our rooms again.

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Let’s start right at the beginning – how did this band start off?

Well, our guitarist Chris and I met in high school, but him and our bassist Peter actually go all the way back to kindergarten. The four of us didn’t really become friends though until we were in our early twenties. That’s when we all connected and actually became good pals.

Did you think you’d end up where you are now back then?

We were always hopeful, which is how you have to be when you start out trying to make music. But no, it’s hard to believe how far we’ve come since playing in Chris’ dad’s basement 5 years ago.

What do you enjoy most about being a band? What do you dislike most?

Getting to tour all over the world and have fans in every city wanting to see you play is very surreal. That’s probably my favourite. And my least favourite is being stuck in the van with Mikey when he starts to feel cooped up. He goes crazy sometimes and just starts playing his drum machine super loudly to annoy us. It sucks!

Looking back on your career so far – what is your favourite memory?

Probably playing our last big hometown show in Vancouver. It was on Halloween and at a big theatre that has always been on our bucket list to play. All of our family and friends were there and we dressed up in full KISS costumes. It was sick pretending to be Gene Simmons for a night.

How would you describe your band to someone who didn’t know you?

Sadboy Guitar Bangerz with too many soloz!

I read you like to describe your sound as “chewed bubblegum pop” – could you explain the meaning behind that?

We only said that because people always ask what kind of music we play, and because Indie music steals from rock and pop and more down tempo stuff it can be hard to pick which “genre” you belong to.

What was the process of producing and creating your new album like?

The writing portion was pretty challenging, we all spent a lot of time in our rehearsal space and I spent a ton of time at home alone trying to write songs last year. The recording of the record was the best though. We got to work with John Congelton and we hit it off immediately with him. He’s one of the funniest and most fun guys to have to hang around for weeks on end. I hope we can record another album with him in the future.

Do you follow a certain formula when you write your songs or is the process different every time?

Yes. Usually I come up with either the song title or the first line of the song and write it down in my notebook. Then I try and come up with a chord progression that I like and add a melody and lyrics to it. Once the song is done being written, then I bring it to band practice and the guys and I mess around with it until we’re happy with all the parts and the arrangement. The song generally changes a lot from when it’s just me at home to the full band playing it.

Why are teeth so central in your new album?

Because their highly underrated, how hard would eating be without them!

What is your favourite track of the album and why?

My favourite has changed a lot since we finished recording the album. But right now, it’s probably a two-way tie between Brian’s Movie and Your Teeth. With Brian’s Movie, I really like that Chris is playing a 12-string guitar with a slide (he’s never done that before) and Your Teeth I just really love the melody, it’s kind of creepy but also sad and pretty.

What has been your most enjoyable song to write so far and why? What’s your favourite song to play?

Shampoo bottles was written really fast, like in two days which is way shorter than normal. I love when a song just falls out of you super easy. And my favourite to play would be Brian’s Movie, I just can’t get enough of that 12 string.

How do you try to stand out of the crowd?

We just try to be ourselves as much as possible. I think people can sense when you’re being fake so you might as well avoid trying to be something that you are not. This would be my strongest piece of advice to any young bands starting out.

What are your plans for the future, after all of this is finally over?

Well once all this shit dies down we’ll be able to get our touring schedule back on track. We were so excited for this spring but unfortunately staying at home is the most important thing we can do right now. So, in the meantime we’ll just be on Instagram live as much as possible. Please tune in.

What does music mean to you?

It means everything to me. Besides my family and friends, it’s the most important thing. Not only is it our livelihood but it’s just our favourite way to spend our time. Being able to pick up a guitar and entertain myself while being stuck inside has been a huge blessing.

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Peach Pit’s latest album “You and Your Friends” is now available in stores and on all download and streaming platforms. 

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And there you go, guys. I hope you enjoyed the interview. Please do go and give Peach Pit and their new album a listen – it’s uber fantastic, it truly is. And just so much fun to listen to. And besides that, I hope you’re all doing good and not going too insane at home and wish you all a lovely weekend. And, as always, thanks for reading. x

I’m officially old

Hola everyone.

And welcome back to my blog and also another week. I hope you all had a lovely weekend and that you’re feeling great. As you can read from the title, today’s post is going to be a different one. And no, I’m not having a crisis, but only stating the plain and true facts. But let me explain…

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I’m officially old, guys. But not in the way you’re thinking. Yes, I’ll be 24 in just about three weeks (don’t talk to me about that please and thank you), but that’s not old. And no, I’m not telling myself that over and over again to keep my heart rate steady. I am fine. The thing that’s putting me off at the moment is that, for the first time ever, I felt too old to be at a gig. Yes, I am talking about the Cavetown gig I went to last Saturday. I felt like I had landed on some weird planet that was full of little kids with kazoos. And I didn’t understand a thing that was going on. At one point, there was a duet happening with – and I’m not making this up – an imaginary character from Animal Crossing. I mean… what?

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But it’s not like I wasn’t expecting it to be that way. For those of you who don’t know Cavetown, he’s a British singer-lad, who currently is 21, but who, from what I saw last weekend, is also trying really hard to not be an adult. And I’m not criticizing him for that in any way, because, clearly, it’s working. Selling out Shepherd’s Bush surely isn’t easy, so props to him. The thing is, he is incredibly talented, but he looks and sounds, and sometimes also acts like a kid. Again, not hating on him here, just recalling my experience. Maybe I was also just the wrong person to attend the gig. From what I could find out, his main fanbase is mostly between 14 and 19 years old. I am clearly about 5 years too old for him then. But I can’t even say that I didn’t enjoy the gig. To be honest, I’d actually say I loved it to bits, but maybe not in the way many others did that night.

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In short – my friend Lauren and I had a blast. We stood there, didn’t understand a thing of what was happening, were clearly confused when suddenly a huge teddybear named Patrick Stewart was brought on stage for emotional support, but nonetheless, we turned that evening into one of the funniest nights ever. And you know when something is so cute that it’s getting a bit too much, but you can’t be mad at it, because, yes, it’s still cute? That’s what that whole evening was like. Robin (Cavetown) is just the real personification of Peter Pan. An incredibly talented Peter Pan. At least that’s what I got from it.

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My favourite part of the whole night – besides finally getting to see HUNNY live as Cavetown’s support – was probably the end of the gig (no, I don’t mean it like what you think, I’m not that mean), when they played the concert-ending track. You know, with bands like Twenty One Pilots or The 1975 you get indie or rock songs. Or with Bombay Bicycle Club, you get a fun dance number from the 80s everyone can dance to. And then there’s Cavetown and we got the Wii music. I am not joking, please take this seriously. Yes, the Wii music. I had the time of my life. Nobody can imagine what a blast I had in that moment, with that utterly stupid but fun track playing, kids running around with their kazoos and Lauren looking at me in a way that said “please kill me now”. It doesn’t get better than this.

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But, all jokes aside, it really was a great gig and we really did have a fun night. HUNNY was an amazing support and an even better and funnier group to interview. Cavetown was incredibly talented and I absolutely loved his voice, even more so the stage design which was made up by tons of fairy lights in the background. But, nonetheless, I definitely wasn’t meant to attend that gig. Yes, I saw a lot of parents there, but we all know why most of them were there. I think I’ve just passed the point where I can go to fangirl-packed, kids-filled gigs. And that’s kinda sad, but I feel like also just a natural thing to happen. We all grow up, I guess. But my inner child that loves to dance to the Wii music will stay forever.

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And there you go, guys. That’s my story of being officially old. I hope you like it. As always, please let me know what you think. I wish you all a lovely week and, of course, thanks for reading. x

My favourite photographers

Hola everyone.

And welcome back to my blog, a new Monday and a new week. I hope your weekend was good and that you’re all feeling well and happy. Can you believe February is already coming to an end? Because I can’t, at all. It’s gonna be March in just a few days, which means my birthday is already lurking around the corner. And then I’ll be 24. Oh wow. Time really flies by. And I know this sounds a bit sad or dramatic, but, I think, I’m happy about growing older, because, generally, it means growth and moving forward and that’s exactly what I want to do. To grow and to do more and to see more. Make the most of my life, basically. And to continue sharing all of that with you guys. Which I also want to do today, but, as you could see by the title of this post, we’re not going to focus on my life today, but on that of someone else. That of Louis van Baar, to be exact. Welcome to part four of the “my favourite photographers” series. Let’s go.

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Louis van Baar

Let me introduce you to Louis. If any of you are fans of Marty – Martin Garrix – and/or have ever taken a look at his Instagram, you will most definitely have seen some pictures that were taken by the wonderful Louis. You will surely have, because ever since 2014, Louis has been Marty’s official photographer and has thus spent the last five years and a bit traveling the world with him and taking pictures of him and the beauty that can be found on our amazing planet. And I’ll say it right upfront – Louis definitely is one of the best photographers I know and it happens more than just a few times that I look at one of his pictures and wonder how he managed to get such a perfect shot. In the end, he makes a living shooting EDM gigs, which are probably the most thrilling and rapid concerts ever. There are lasers and fire and the hyped-up crowd and, of course, the DJ, who’s jumping around like there’s no tomorrow. Getting a super clear, stunning shot in such circumstances sounds like the most difficult thing ever to me. But somehow Louis manages to get those perfect shots every single time and that’s only one of the reasons why I would call him a genius behind the camera.

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There is also the fact that Louis is super freaking young. I mean, just 26 years old young. That kind of young. And that’s his current age. Which means he started touring with Marty when he was just 21, which, looking at the pictures he took at that time, is mind-boggling to me. I know it might be a bit weird to base it all on age, but somehow, for me, talent definitely must be on another level when it develops that early and leads to such a career that early on.

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Obviously, him being that young, also Dutch and that talented in one, makes him the perfect photographer for Martijn. Because he isn’t just his photographer, but, more importantly, he’s also a really good friend. Actually, their story is super cute – in 2014, Martijn and his team were looking for a photographer for his summer tour and found Louis. They toured for a few weeks and it all went so smoothly, they decided to keep on working together. And now we’re in 2020 and they’re still together. How cute is that? And on top of that, a bit more than a year ago, they published a photography book, made up of Louis’ best shots and some background stories from Martijn. And yes, I have that book. Twice. It’s freaking stunning.

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When you take a look at Louis’ pictures, you can clearly tell that he has a special style. Big shots with lots of colours and a feel of dimension that makes it seem as if you’re in the picture. He quite frequently takes pictures of landscapes, architecture, and cities they visit, most of the time during helicopter flights. In short, the photos are breathtaking. In my opinion, they are so grand and aesthetically pleasing, that I could easily see them hanging in someone’s villa or be part of some special photography installation at a gallery. That also goes for all the shots he takes during Marty’s gigs, which never fail to perfectly capture the feeling of his shows. The lasers, the fire, the energy, and excitement – you can feel it all through the pictures. That’s why Louis is such a genius photographer. He doesn’t only capture the colours, the view, but also the feeling, the moment. What an artist.

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I highly recommend checking out his and Marty’s Instagrams as well as Louis’ website to take a closer look at his art. I’ve also gone and picked out a few of my favourite shots of him, which you can see down below. I hope you like them. Obviously, none of them belong to me, all the rights go to Louis. Additionally, here’s the link to their photography book, which I can also highly recommend. It’s one of those books you can have lying on your table as a piece of art or decoration. It is that pretty.  And yeah, besides that, I hope you enjoyed this post and getting to hear Louis’ story and to see his amazing pictures. As always, please don’t hesitate to leave your thoughts and comments down below. And, of course, I wish you all a nice week and thanks for reading. x

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A night with the club

Hola everyone.

God, it feels like it’s been ages since I posted something. Probably because it literally has been ages. I mean, I know it only has been about two weeks, but it feels way longer than that. Also, I’m very sorry that it has been so long. I’m not even going to come up with any excuses, mostly because I’m currently working on not stressing myself because of everything, especially not my blog, because, in reality, it shouldn’t cause me any stress at all as it is my blog and I have the freedom to decide when I want to post something or not. So, there it is. But still, I’m sorry. I hope you had a great few days though and that you’re doing great.

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Today, finally, I’d like to share something very very very special with you. Those of you who have been following my blog for the past few months and especially the past few weeks will know that I recently had the honour of seeing Bombay Bicycle Club live for the very first time. In, like, ever. But the even more exciting part was that while I was seeing them in this tiny venue in Brighton and later on writing about it on here (click here to read that post), I already knew that I’d be seeing them again shortly after that. Which is exactly what happened last Friday and I just have to tell you all about that fantastic night and unforgettable show.

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First, let me just remind you of the fact that Bombay have been one of my favourite band ever since I found them in 2016, right after their breakup, and I would’ve never thought I would ever get to see them live. But now I’m sitting in my room here in London, with the experience of not only one Bombay gig but two. It’s been a week and I still can’t believe it really happened. That my friend Lauren and I went to Ally Pally and actually managed to get to the front row. That I got to talk to Liz Lawrence, who’s part of their live band, after the show. And that I felt like I had the biggest hangover the next day from all the excessive dancing, singing and screaming (I mean, I’ve never had a real hangover, but I feel like it might feel like how I did that day). That’s how good the gig was. I remember that I couldn’t stop smiling the whole time and that I never wanted it to end. Which, as far as I could tell, was something I shared with the band. They looked so proud and happy. I really loved every moment. And I can’t even begin to describe how happy, excited and damn thankful I am that they’re back. One of the best indie bands ever has finally returned and I couldn’t be any more thrilled about it.

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If any of you get the chance to see these guys live, please do it. Even if you don’t know their old or new songs or any of them – just go for the experience. Maybe you’ll walk out with a new favourite band, you never know. And until then I hope you enjoy me babbling about them, which will probably keep on being a regular part of this blog – I apologise in advance (but really I’m not sorry at all, they’re too good for that).

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As you’ve probably noticed, this would usually be the part where I either continue talking about the gig or end the post, but none of those two things are going to happen. As some of you might have noticed, I’ve recently been proudly sharing my reviews that I write for LDN magazine with you guys, which I also want to do now. As you can guess, I obviously had to write a review of Bombay’s show and I feel like it’s such a nice piece, I’d love for you to read it. So, here you go. I hope you like it (here’s the link to the original) and that you’re doing good, obviously. And yeah, please enjoy and let me know what you think. Until then, I wish you all a fantastic Friday and a lovely weekend and, as always, thanks for reading. x

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Live Review: Bombay Bicycle Club @ Alexandra Palace

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It was a sad day for the world of music when the British indie group Bombay Bicycle Club announced their breakup at the beginning of 2016 after many years of success and fame. For a very long time no one was sure whether they would ever hear from their beloved rockers again, but almost to the day, four years later, news was spread that seemed almost too good to be true: Bombay Bicycle Club are back.

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In addition to the comeback, their fans, who had been waiting for their return all this time, were also blessed with the announcement of a new tour and their fifth album “Everything Else Has Gone Wrong”, which was released on the 17th of January. Even I, who had been hoping for the Londoners to somehow resurface again ever since discovering them at the end of 2016, couldn’t believe my eyes and ears. Suddenly they were back. Hard to believe, since they had been the one band that I had been too late for, the one that I would never get to hear new music from and the one band that I would definitely never have the chance to see live.

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And yet, on a cool Friday evening, I find myself in the big hall that is the ever so famous Ally Pally in London, knowing that Bombay Bicycle Club would be appearing in just a few minutes to play the first gig of their two sold-out nights. A thought that still seems unreal to me while standing in front of the barrier and facing the enormous stage.

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Suddenly there is a loud uproar, followed by a sea of ​​shining, flashing lights that herald the lively start of the evening with “Eat, Sleep, Wake (Nothing But You)”. Their highly anticipated comeback single gives a clear signal that Bombay Bicycle Club still know who they are and where they belong, even after so many years – namely on the stages of this world. Despite the dark undertones of their new material, the live experience lights up the concert hall and is also reflected in the collective proud smiles of the Londoner stars.

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Since this is their comeback tour and also, as told by guitarist Jamie MacColl, the closest they can get to having a hometown show, the crowd is not only gifted with fresh material from their incredibly loved new album, but also with a setlist that gleams through its certain touch of nostalgia. Throughout the whole night, the old is united with the new and in one moment even merged seamlessly. Hits like “Luna”, “Shuffle” and fan favorite “Always Like This” make the crowd bounce and shake like nothing else, while newcomers “I Can Hardly Speak”, “Good Day” and “I Worry About You” offer brief insights into the new record and showcase the growth the band has gone through during their break. Ultimately, the London boys are still the same, with their emotional lyrics, haunting beats, and addictive guitar riffs.

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Given the quality of their show and the magnetism of the band, it comes as no surprise that loud, persistent screams fill up the venue before an electrifying encore and the Brits’ final goodbyes. It’s a special show that marks the beginning of a new era for Bombay. After all this time, they still remain one of the most progressive indie bands of the past decade, delivering every show as if it were their last. Let’s just hope that they really came to stay this time.